On the morning of the first of October, the clergy of the cathedral came to the house to convey the body to the church: they were requested not to begin their chant of the office for the dead, till at such a distance as not to be heard by the surviving brother. The church was filled by a crowd whom divine charity, or the best feelings of humanity, brought to assist at the solemn rite, and to witness a scene which the early youth, the well-known virtues, the afflicted state of the family of him who lay before them, conspired to render interesting. High mass was celebrated: the body was then carried to the cemetery to the north of the city, and interred towards the middle of the wall enclosing the cemetery on the north; the head resting near the wall, the feet turned towards Avignon. Eighteen masses, without chant, were said for the repose of the soul of the defunct. On Friday following, high mass was again sung, when, according to custom, the friends of the family were invited to be present: a great concourse again attended to join their prayers to the powerful intercession of the spotless victim, and testify their sympathy and compassion. On a tablet of white marble, inserted in a sepulchral stone from the quarries of Barbentanne, is inscribed, in the Latin language, his name, his country, his religion, his age, and the date of the day and year of his death. Henry Kenelm was tall, more than five feet ten inches in height, strong and well-made, but not large-limbed; with light hair, dark blue eyes, and dark eye-lashes, and a fair complexion. The expression of his countenance was, like his mind, benevolent, frank, cheerful, and intelligent. When we were at Florence, a year after his death, a cast, from a statue in the public gallery, was sent to our lodging as a model for drawing. All of us were struck by the resemblance of this bust to him whom we regretted, whose features were still so fresh in our recollection. Antoine was called; the bust was shown to him; nothing was said: "It is like M. Kenelm," said he. My son took two copies of this bust: the original is an _athleta_, as it is called, bearing and looking down upon an urn: it is the third or fourth statue from the entrance of the gallery on the left hand. We showed the bust to a friend: "It is like the son whom we have lost."--"Your son was a very fine young man." The face of the statue is certainly handsome: that of Kenelm had more animation. His manners were those of good society, wanting nothing but that ease and confidence which time and experience would have given.