Four Years in the Underbrush: Adventures as a Working Woman in New YorkAnonymous
History
Four Years in the Underbrush: Adventures as a Working Woman in New York
Anonymous
Women employees -- New York (State) -- New York
“What’s your hurry?” he would ask, on seeing you returning to your work
after lunch, or at any time. “No need for you to rush around and kill
yourself. When you cheat the government you are only cheating
yourself—taking what really belongs to you, your own property.”
He certainly lived up to his own preaching. In the whole six weeks that
I was on that job I never saw him do so much as an hour’s work. When he
was not lolling back, his chair on its two hind legs, smoking an
expensive cigar, he was strolling along the corridors smoking or talking
with anybody he could buttonhole. He was a great man for “ordering”
supplies for the department—pencils, paper, printed blanks of every
known variety, in short anything that he could think of, or that was
suggested to him. Because my eyes were giving me trouble I borrowed an
eye-shade and wore it while at work. This man caught a glimpse of me and
at once sent in a written order for eye-shades for every worker in the
department, including himself. When the shades came and were distributed
everybody, excepting myself and the man, tossed them aside with scorn.
Up to the very day of his discharge this man made a point of wearing his
eye-shade when strolling along the corridors smoking. To-day among my
“exhibits” I treasure a green celluloid eye-shade, paid for by the
United States.
In this federal job my work at first was winnowing out and getting
together the papers of drafted men whose claim for exemption had to be
passed on by the District Board. And such claims as many of them did set
forth!—reasons why they should not be called on to fight for their
country. They called themselves _men_!
It was from these papers that I learned a new use for a wife—to help her
husband evade draft duty. The variety of these dependent ones was almost
as great as their number. One was dependent because her husband paid
fifteen thousand a year for an apartment in which to keep her. The
husband of this expensive dependent was a composer of popular music, who
described himself as a “creative artist,” and he gave his yearly income
at such a very low figure that the greatest of the many surprises in his
paper was that he was able to pay his rent. That man’s papers were so
absurd, for, while pleading his inability to support his wife if he was
forced to go to the front, he boasted of the huge sums he had received
in royalties, so that I always had a suspicion that they were prepared
by his publicity agent with his tongue in his cheek.
Another proud possessor of a dependent wife was the son of a millionaire
bread-maker. His application proved him to be in such dire poverty that
we all decided he had made a mistake—instead of being the son of a
bread-maker, he must have been the son of a bread-line.
Public-domain text, read in full here on John Shaqi.
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