Four Years in the Underbrush: Adventures as a Working Woman in New YorkAnonymous
History
Four Years in the Underbrush: Adventures as a Working Woman in New York
Anonymous
Women employees -- New York (State) -- New York
“Cesspools,” she assured me. “Those houses are awfully old. There is not
a drain in this street. Typhoid in the summer, croup and pneumonia in
the winter—people die like flies. Jack Harland says we may have a few
cases of Asiatic cholera here this fall if the hot weather will only
continue long enough.”
I stared at her—a tall, voluptuously developed woman of twenty-six. Her
eyes were large, blue-gray, and expressive. Her brows were dark and well
defined, her mouth like a buttonhole. Her nose, though not large, curved
over it, and reminded me of the beak of a parrot. Nature, as though
begrudging the generous amount of material used in making one woman, had
not only skimped her chin but taken a snip out of the middle of it.
“Don’t you love it?” she panted, her face shining with enjoyment. “Don’t
you love it?”
“I think it is horrible that people have to live in such holes.”
“W-e-e-ll, if you _will_ look at it from a utilitarian point of view,”
my guide drawled patronizingly. Then she added with gusto: “From the
point of the artist it is colossal. Swarms of ’em come here—for types,
you know. The starving children of Belgium and famine sufferers—colossal
studies!”
“Do you think they actually suffer for food?”
“My dear!” Hildegarde stopped on the corner and catching me by the
shoulder brought me to a sudden stand-still. “I talked to a little girl
who lived in that fifth house. The most desperate-looking child I ever
saw. She told me she never had anything for breakfast before going to
school except the dregs from a can of beer and a left-over potato, or a
crust of bread. Sometimes she didn’t get the beer—that depended on how
drunk her parents were when they fell asleep. Colossal! Think of the
literary atmosphere!”
“You come here for atmosphere?” I inquired, thinking that the effrontery
needed to commercialize the misfortunes of that child was what was
colossal.
“Not often,” she replied, puckering her lips and drawing her brows
together. “To tell the truth these people are too—too prosperous for me,
for my purpose.” Here squinting her eyes she thrust her face nearer
mine. “To let you into a secret—I’m specializing on the underworld,
crooks and their sort. My burglar took me to a joint on the East Side
kept by one of the most famous crooks in New York,—in the whole world.
All his customers are crooks. Colossal!”
Had I been a profane woman I would have called her a damned fool.
“It may not be safe for you—not exactly,” Hildegarde told me, panting
eagerly. “But if you’ve got the pep I’m willing to take you. A policeman
wouldn’t dare go there alone. With me, having been introduced by my
burglar, it’s different. Would you like to go to-night?”
“Not to-night, thank you. I must be getting back.”
“I’ll go with you as far as Bleecker Street. It’s on my way to the East
Side joint to meet my burglar,” she agreed, and we turned toward
Washington Square.
Public-domain text, read in full here on John Shaqi.
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