Four Years in the Underbrush: Adventures as a Working Woman in New YorkAnonymous
History
Four Years in the Underbrush: Adventures as a Working Woman in New York
Anonymous
Women employees -- New York (State) -- New York
When I again faced the world on Broadway I was still struggling over the
puzzle—how to get a dress suited to marble halls. Wool was prohibitive
not only in price but because it was needed by our soldiers and the
destitute Belgians; silk was far above the contents of my pocket-book,
and cotton was winging its way upward so fast that I might be forced to
join an aviation corps to get enough of it for a frock.
There was Fourteenth Street to be investigated—Fourteenth Street has
solved many financial problems. So in and out of that wide street I
nosed, like a pointer dog hunting for game ardently wished for though
unscented. Finally down in a basement I came to a point—I actually
pointed.
“That piece of cloth over there—what’s the price of it?”
The saleswoman looked at the cloth, then back at me. Her expression was
of a person who had answered the same question many times.
“There’s only five yards, and we can’t get any more like it,” she told
me.
“What’s the price?”
“Oh, it’s cheap enough,” and taking the cloth from the shelf she spread
it before me on the counter. “One dollar for the piece. We could get
three times the money if there was enough of it for anything. It’s only
twenty-seven inches wide.”
“I’ll take it.”
On leaving that counter with the parcel in my hand I hurried to the
pattern department and there spent twenty cents. Fortunately, among the
riffraff left behind by Alice and the hat-trimmer there were remnants of
several spools of white cotton thread and a few inches of dark-brown
cotton poplin.
Early the next morning I trudged up to the Y. W. C. A. with all the
spool cotton and the scrap of poplin in my bag, and a neatly folded
parcel under my arm. When I quitted the sewing-room late that afternoon
I carried with me a dress in which at that time it would have been
equally appropriate to visit a tenement or dine in a palace. Besides
being patriotic it was also the height of fashion—cotton khaki, severely
tailored, with a long tie of dark brown.
Up to that time, aside from room-rent and food, my expenditures had been
limited to one pair of shoes, seven dollars; one union suit, fifty-nine
cents; one picture show, ten cents; two evenings at church, twenty-five
cents in the plate each time. I admit that such an existence of grinding
toil is only possible to a girl of character. Polly Preston is a girl of
character. So also were a large majority of those with whom I had
worked. Had such not been the case millions instead of thousands would
have fallen by the wayside, succumbing to the conditions amid which
women were forced to work before the entrance of our country into the
World War. At that time the life of a working woman was of no more value
than that of a dog. Yet had our working women ceased to be virtuous our
country must have perished.
Now I have come to one of the two most disagreeable experiences of my
four years. Perhaps the hardest for me to describe with equal justice to
myself and the people among whom I worked.
Public-domain text, read in full here on John Shaqi.
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