"I was not twenty-one years old when I was married; but I had already
loved, or thought that I loved. I was impulsive and passionate. I come
from a region where women do not know how to conceal their sentiments,
where they sometimes anticipate a declaration; and in my case, 'the
accent of the province is in the heart as well as in the language,' as
La Rochefoucauld says. At eighteen, I fell in love with a very comely
youth--at eighteen, a girl thinks a good deal of physical beauty; and
that is natural enough, for we pass judgment first of all on what we
see. My rosy-cheeked, fair-haired, blue-eyed young man was two years
older than I; but he had the manner of a sixteen-year-old schoolboy:
awkward, shy, embarrassed; he did not know what to say to me, and was
content to stare at me; but, as his eyes were fine, I considered myself
fortunate in having them always fastened on my face. 'He loves me,' I
said to myself; 'he must be very much in love with me, to stand in rapt
contemplation before me as he does.'--Still, I should not have been
sorry to hear a word or two of love from his lips. I tried to furnish
him with opportunities to be alone with me; I thought that he would
finally speak out. But Gabriel--his name was Gabriel--didn't know enough
to seize an opportunity. When he came, and I had a girl friend with me,
I would motion to her to leave us for a moment; young girls understand
each other very readily. But when she had invented some excuse for
leaving the room, Gabriel always felt called upon to take his hat and go
with her. You can judge whether I used to fret and fume. But one day,
when Gabriel started off on the heels of a peddler I had just dismissed,
I detained him by his coat tails, and he was compelled to remain; which
he did, blushing to the whites of his eyes, and saying:
"'Have I got anything on my back, mademoiselle?'
"'No, monsieur, there's nothing on your back, but I want to talk with
you; that's why I detained you. I was driven to resort to this method,
because you always run away as soon as I am alone.'
"Gabriel looked at the floor, playing with a little bamboo cane that he
usually carried. I invited him to sit down on a sofa beside me; he did
so, but moved as far away from me as possible, and continued to keep his
eyes averted, gazing sometimes at the ferrule and sometimes at the head
of his stick.
"'Monsieur Gabriel,' I cried at last, irritated by his silence, 'haven't
you anything to say to me? Do look at me, at least; before to-day, when
you were not speaking, you always had your eyes on me; why, pray, do you
gaze at your cane all the time to-day? Come, monsieur, look up, and tell
me just what you're thinking about; and come a little nearer; anybody
would think you were afraid of me, that I was scolding you.'
"Gabriel made up his mind at last to look at me and to move a little
nearer. He was as red as a cherry. He acted like a schoolboy who is
afraid of the birch; but he was such a handsome boy!
Public-domain text, read in full here on John Shaqi.
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