"He's not a caller. I heard you say once: 'If that person comes here
again, and I have company, call me at once; don't let him in.'"
I trembled as I began to realize who the visitor was.
"Can it be----" I faltered.
"Yes, monsieur; it's the party named Ballangier--the one who's so free
and easy like, and makes himself so much at home here, just as if he was
in his own house."
I felt as if a heavy weight had settled down on my chest. In an instant
all my cheerful thoughts had vanished. A feeling of depression replaced
them. The presence--the very name--of Ballangier always produced that
effect on me.
"Has this--gentleman been here long?"
"About three-quarters of an hour, monsieur, when you rang."
"Didn't you tell him that I had been at a ball, and that I was likely to
sleep very late?"
"Yes, monsieur, I said all that. But he just sat down and said: 'That's
all the same to me; I've got plenty of time.' And then, he took out a
pipe and lighted it. It was no use for me to say: 'You mustn't smoke
here; my master don't like the smell.'--He sings out: 'I smoke
everywhere! and you can open the windows and burn some _castonnade_.'"
"Show the gentleman in, and leave us. And if anybody should call while
he is here, remember, Pomponne, that I am not at home to anyone."
"Yes, monsieur--as usual."
Pomponne went out, and in a moment the person who was waiting entered my
bedroom.
Ballangier was thirty-four years old; he looked older, because he had
led a riotous life for a long while. Dissipation and debauchery make a
man old prematurely.
Imagine a man of more than ordinary height, who would have had a good
figure if he had not acquired the habit of stooping. A refined, regular
face, aquiline nose, small, heart-shaped mouth, and very black eyes
surmounted by heavy eyebrows; an abundance of hair, once black, but now
gray. All this would have formed an attractive whole, had it not been
spoiled by a pronounced hangdog air. An expression that was impudent
when not made stupid by drink, and manners that were often brutal; in
addition, clothes that were always soiled and often in tatters, and the
gait of a drummer; this rough sketch may serve to convey an impression
of the person who stood before me.
On the present occasion he wore a brown frock-coat that was neither
ripped nor torn. It lacked only two buttons in front, but it was covered
with spots and stains. His black trousers were shockingly muddy, as were
his boots. As for his linen, that was invisible. A frayed black stock
encircled his neck, and he held in his hand a round black hat which
seemed to have had many hard knocks.
When he entered my bedroom, Ballangier removed his pipe from his mouth.
He walked forward, swaying his hips, nodded to me with a smile, and
stretched himself out in an easy-chair, saying:
"Here I am! How goes it, Charles?"
"Very well, thanks."
Public-domain text, read in full here on John Shaqi.
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