The carnival is the season of intrigues and of mad pranks. Again, we
might say that there are intrigues all the year round; but that has been
said before, and we will not repeat it. We will take the liberty, in
passing, of calling your attention to the fact that we say only novel
things; that is very considerate on our part, and we are persuaded that
we shall receive due credit therefor.
Monsieur Dupont was, as we have said, a man of forty years; that is the
age of passions, when one is destined to have any; but thus far the
gentleman in question had not manifested the slightest symptom of
anything of the sort. He smoked, took snuff, gambled, and drank, but
without enthusiasm, and, we might say, without enjoyment. As for the
women, you have seen that he slept most of the time beside his wife.
Nevertheless, Monsieur Dupont was not insensible to the charms of
beauty; what attracted him more than anything else in a woman was
figure, shape, carriage; in short, he preferred a well-proportioned body
to a pretty face; and unluckily for Madame Dupont, she was rather pretty
than well made. Perhaps that was what had made her husband such a heavy
sleeper.
As for Dupont himself, he was neither handsome nor ugly, neither short
nor tall, neither clever nor stupid; he was one of those men of whom
nothing is said. He had rather a good figure, however, with a shapely
foot and a small white hand. He was very proud of these advantages,
considered himself a little Apollo, and was absolutely determined not to
take on flesh; the fear of that catastrophe was mainly responsible for
his decision to go to Paris; and since the doctor had recommended that
he should go without his wife, it was evident that he wished him to lead
the life of a bachelor there. Now, what is the life of a bachelor, if
not to be constantly on the look-out for intrigues, amourettes, _bonnes
fortunes;_ in a word, to pass one's time running after women--society
women when opportunity offers, and grisettes when one can do no better?
Public-domain text, read in full here on John Shaqi.
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