Albertinelli, Mariotto, 1474-1515; Bartolomeo, fra, 1472-1517; Sarto, Andrea del, 1486-1530
Sansovino, who also lived near, was not a member of this rollicking
club; he was one of Andrea's more serious friends, and served as
companion when his most exalted moods were upon him. Perhaps Rustici's
rooms did not please Sansovino, for strange inmates were there--a
hedgehog, an eagle, a talking raven, snakes and reptiles, in a kind
of aquarium; besides all these gruesome familiar spirits, Rustici was
addicted to necromancy. The Society of the Cauldron seems only a natural
outgrowth from such a character. It consisted of twelve members, all
artists, goldsmiths, or musicians, each of whom was allowed to bring
four friends to the supper, and bound to provide a dish. Any two members
bringing similar dishes were fined, but the droll part of it was that
the suppers were eaten in a huge cauldron large enough to put table and
chairs into; the handle served as an arched chandelier, the table was
on a lift, and when one course was finished it disappeared from their
midst, and descended to be replenished. As for the viands, the sculptors
displayed their talents in moulding classical subjects in pastry, and
turning boiled fowls into figures of Ulysses and Laertes. The architects
built up temples and palaces of jellies, cakes, and sausages; the
goldsmith, Robetta, produced an anvil and accoutrements made of a
calf's head, the painters treated roast pig to represent a scullery-maid
spinning.
Andrea del Sarto built up the model of the Baptistery with all kinds of
eatables, with a reading desk of veal, and book with letters inlaid with
truffles, at which the choristers were roast thrushes with open beaks,
while the canons were pigeons in red mantles of beetroot--an idea more
droll than reverential.
After this, in 1512, another club, called that of the "Trowel," was
instituted, of which Andrea was not a member, but was chosen as an
associate. The first supper was arranged by Giuliano Bugiardini, and was
held on the _aja_ or threshing floor of S. Maria Nuova, where the bronze
gates of the Baptistery had been cast.
In this no two members were allowed to wear the same style of dress
under penalty of a fine. The members were in two ranks, the "lesser" and
the "greater," a parody on the guilds of the city. They were shown the
plan of a building, and the "greater" members, furnished with trowels,
were obliged to build it in edibles, the "lesser" acting as hodmen, and
bringing materials. Pails of ricotta or goat's milk cheese served for
mortar, grated cheese for sand, sugar plums for gravel, cakes and pastry
for bricks, the basement was of meats, the pillars fowls or sausages.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account