Albertinelli, Mariotto, 1474-1515; Bartolomeo, fra, 1472-1517; Sarto, Andrea del, 1486-1530
Some suppers were classical scenes, others allegorical representations,
always in the same edible form. We can imagine the wit which sparkled
round these strange tables, the jokes of the artists, the songs of the
musicians. Andrea del Sarto is said to have recited an heroi-comic poem
in six cantos called the "Battle of the frogs and mice." Biadi gives it
entire; it seems a kind of satire on Rustici's tastes, with perhaps
a hit at the government, and shows no lack of wit of rather unrefined
style; but the authorship is not proved. Some say Ottaviano de Medici
assisted Andrea in it.
It would have been well for Andrea if this innocent jollity had sufficed
for him, but unfortunately he admired a woman whose beauty was greater
than her merits. Probably he began by mere artistic appreciation of her
personal charms, for she sat to him for the _Madonna of the Visitation_,
which was painted in 1514, two years before their marriage. This
Lucrezia della Fede was the wife of a hatter who lived in Via San Gallo.
Her husband dying after a short illness, Andrea del Sarto married her,
and whatever were her faults, she retained his life-long love. Biadi and
Reumont give the date 26th of December, 1512, as that of the death of
her husband, but Signor Milanesi, from more authentic sources, proves it
to have been in 1516.
A great deal has been said and written of the evil influence this woman
had on him, and his very house bears an inscription recording his fame
together with "affanni domestici," but it would seem that posterity
has taken for truth more than the facts of the time imply. That she was
proud, haughty, exacting, and not of a high moral nature, that she was
selfish, and begrudged his helping his own family, her every action
proves. That her manners were not conciliating to the pupils is
possible, perhaps their manners savoured too much of familiarity for a
woman who believed in her own charms; but that she was faithless, which
her biographers assert on the strength of Vasari's phrase, "that Andrea
was tormented by jealousy," there is literally nothing to show.
Public-domain text, read in full here on John Shaqi.
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