DOMENICO CONTI never became famous, but in spite of want of genius, he was Andrea's favourite pupil. All his master's designs and cartoons came into his possession at Andrea's death, but he was unfortunately robbed of them soon afterwards. The inscription to Andrea del Sarto which once existed in the church of SS. Annunziata was put up by Conti. JACOPO DEL CONTE (1510-1598), who in Vasari's time lived in Rome, is chiefly noted for his likenesses of several pontiffs and personages of the Papal Court. There are a few altar-pieces by him in Rome, and a _Deposition_ in the church of the Misericordia in Florence, but he was almost exclusively a portrait painter. ANDREA SGUAZZELLA, called NANNOCCIO, remained in France after having accompanied Andrea del Sarto thither. Cardinal Tournon took him under his patronage, and he painted a large number of works in the style of Andrea. JACOPO, called JACONE, was another of Andrea's favourite disciples. His frescoes, of which some existed till of late years on the façade of the Palazzo Buondelmonte, in Florence, were much in Del Sarto's manner. He assisted his master in a great many of his works, while of his independent paintings many were sent to France; no doubt some of these, as well as Sguazzella's, figure under the master's name in that list of fifty works given by Argenville. He was too idle and fond of pleasure to rise to eminence, though he did some good frescoes in the Palazzo Capponi at Florence, and in the Capponi Villa at Montici, and assisted Jacopo da Pontormo in the Hall of the Medici villa at Careggi. He died in 1553, in great poverty. PIER FRANCESCO DI JACOPO DI SANDRO was said to have had some talent. He and Domenico Conti were employed among others in decorating the court of the Palazzo Vecchio on the occasion of Cosimo de' Medici's marriage with Leonora di Toledo. There are some altar-pieces of his in the church of Santo Spirito, Florence. SOLOSMEO, RAFFAELLO, and BERNARDINO DEL BUDA were three _garzoni_ in Andrea's studio. They were employed in the subordinate work and manual labour, but were not trained as artists. BIBLIOGRAPHY 1886. G. GRUYER. Fra Bartolommeo della Porta and M. Albertinelli. 1903. F. KNAPP. Fra Bartolommeo della Porta. 1922. H. GABLENTZ. Fra Bartolommeo. 1902. M. E. JAMES. Fra Bartolommeo. 1899. H. GUINNESS. Andrea del Sarto. (The Great Masters Series.) 1905. MASTERPIECES OF ANDREA DEL SARTO. (Gowan's Art Books.) 1928. F. KNAPP. Andrea del Sarto. 1864-66. CROWE AND CAVALCASELLE. A New History of Painting in Italy from the 2nd to the 16th Century. Three Volumes.