The result of subsequent trial, as reported by General Campbell, is, 'that the sonorous qualities of bronze are greatly superior to those of cast iron at short distances, but that the advantage lies with the baser metal at long ranges.' [Footnote: General Campbell assigns a true cause for this difference. The ring of the bronze gun represents so much energy withdrawn from the explosive force of the gunpowder. Further experiments would, however, be needed to place the superiority of the cast-iron gun at a distance beyond question.] Coincident with these trials of guns at Woolwich, gun-cotton was thought of as a probably effective sound-producer. From the first, indeed, theoretic considerations caused me to fix my attention persistently on this substance; for the remarkable experiments of Mr. Abel, whereby its rapidity of combustion and violently explosive energy are demonstrated, seemed to single it out as a substance eminently calculated to fulfil the conditions necessary to the production of an intense wave of sound. What those conditions are we shall now more particularly enquire, calling to our aid a brief but very remarkable paper, published by Professor Stokes in the 'Philosophical Magazine' for 1868. The explosive force of gunpowder is known to depend on the sudden conversion of a solid body into an intensely heated gas. Now the work which the artillerist requires the expanding gas to perform is the displacement of the projectile, besides which it has to displace the air in front of the projectile, which is backed by the whole pressure of the atmosphere. Such, however, is not the work that we want our gunpowder to perform. We wish to transmute its energy not into the mere mechanical translation of either shot or air, but into vibratory motion. We want _pulses_ to be formed which shall propagate themselves to vast distances through the atmosphere, and this requires a certain choice and management of the explosive material.