Beautiful and historic buildings are thickly strewn along the lowest reaches of the Seine. The ruined abbey of Jumieges, where Edward the Confessor was educated, raises its lofty Norman towers high above the trees at the southern end of a big loop; the monastery of St. Wandrille, which is now converted into a private house and became the home of Maeterlinck a few years ago, is in a pretty valley leading from the river; Caudebec, with its glorious Gothic church and romantic old streets, stands on the right bank and has a sunny quay, and an open view across the sparkling waters, the opulent level pastures, and the belts of forest beyond; Lillebonne is the _Julia Bona_ of Roman times, and has important remains of a Roman theatre, besides the castle, in whose great hall--alas! no longer existing--William the Norman announced to a great gathering of leading men his project of invading England; Tancarville Castle, with its prominent circular tower, is reflected in the broadening waters nearer the estuary, where Harfleur looks across to Honfleur, and both seem to dream of the days when their great neighbour Le Havre was not. Being an entirely French river, the Loire has been described first in this chapter; the Seine followed, being a smaller river, although of more commercial importance. Its basin, it should be mentioned, is not entirely French, some of its water being taken from Belgium. Of the two great rivers of foreign birth the Rhone is of the greater importance. It has a drainage area of close upon 38,000 square miles, and is the greatest river of all those that pour their waters directly into the Mediterranean. Besides this the Rhone is numbered in that distinguished group composed of the greatest of the rivers of Europe. More than any of the rivers of France it stands out as a big factor in history. One thinks of Hannibal with his host and his elephants faced by the swiftness and breadth of its flow; of the terrible struggle of the Romans with the Cimbri and Teutones on its banks; of St. Benezet in the twelfth century copying the methods of the Roman architect of the Pont du Gard, and accomplishing what had never been done before, _i.e._ the construction of a stone bridge that could resist the onslaught of the flood-waters for centuries. Four of the big elliptical arches still stand, seemingly as strong as the day they were erected, and above one of the piers rises the little Romanesque bridge chapel where the body of the good builder was buried.