A generation later, when its incidents had faded from memory, a passionate and reckless partisan, Abbé La Tour, published, and probably invented, a story which later writers have copied, till it now forms an accepted episode of Canadian history. According to him, Frontenac, in order to ridicule the clergy, formed an amateur company of comedians expressly to play "Tartuffe;" and, after rehearsing at the château during three or four months, they acted the piece before a large audience. "He was not satisfied with having it played at the château, but wanted the actors and actresses and the dancers, male and female, to go in full costume, with violins, to play it in all the religious communities, except the Récollets. He took them first to the house of the Jesuits, where the crowd entered with him; then to the Hospital, to the hall of the paupers, whither the nuns were ordered to repair; then he went to the Ursuline Convent, assembled the sisterhood, and had the piece played before them. To crown the insult, he wanted next to go to the seminary, and repeat the spectacle there; but, warning having been given, he was met on the way, and begged to refrain. He dared not persist, and withdrew in very ill-humor." [30] [30] La Tour, Vie de Laval, liv. xii. Not one of numerous contemporary papers, both official and private, and written in great part by enemies of Frontenac, contains the slightest allusion to any such story, and many of them are wholly inconsistent with it. It may safely be set down as a fabrication to blacken the memory of the governor, and exhibit the bishop and his adherents as victims of persecution. [31] [31] Had an outrage, like that with which Frontenac is here charged, actually taken place, the registers of the council, the letters of the intendant and the attorney-general, and the records of the bishopric of Quebec would not have failed to show it. They show nothing beyond a report that "Tartuffe" was to be played, and a payment of money by the bishop in order to prevent it. We are left to infer that it was prevented accordingly. I have the best authority--that of the superior of the convent (1871), herself a diligent investigator into the history of her community--for stating that neither record nor tradition of the occurrence exists among the Ursulines of Quebec; and I have been unable to learn that any such exists among the nuns of the Hospital (Hôtel-Dieu). The contemporary Récit d'une Religieuse Ursuline speaks of Frontenac with gratitude, as a friend and benefactor, as does also Mother Juchereau, superior of the Hôtel-Dieu. CHAPTER XVI. 1690-1694. The War in Acadia.