France in eighteen hundred and two : $b Described in a series of contemporary lettersYorke, Henry Redhead
History
France in eighteen hundred and two : $b Described in a series of contemporary letters
Yorke, Henry Redhead
France -- Description and travel
This place derives its name from a very remote antiquity. When the
grandsons of Clovis and Ste. Clotilde were murdered by their ambitious
and unnatural uncles, one (Cleodold) escaped, and was conveyed by his
nurse to a secret place, where he was educated for the priesthood. He
eventually founded a monastery in the vicinity of Paris, called after
him St. Cleodold or St. Cloud. In later years a Royal château was built
upon the same site. Before the Revolution his tomb was still preserved,
inscribed with a very ancient epitaph.
St. Cloud is about six miles from Paris. The château stands upon an
eminence commanding a full view of the capital and adjacent country;
and the Seine, which widens at this point, meanders slowly beside the
grove of trees planted along the banks. During the life of the Queen,
the paintings in the gallery, the magnificence of the furniture in all
the apartments, and the beauty of the walks, waters and cascades, made
St. Cloud a most attractive spot. But the paintings and furniture were
destroyed, and the place is now fitted up in a most costly style for
the residence of the First Consul.
It is his intention to hold his Court here occasionally, and to enrich
it with some choice pictures from the gallery in the Louvre. I have
been informed that he intends to make it the depôt for all the gold
and silver utensils which he stole out of private houses during the
campaign in Italy.
[Sidenote: ST. CLOUD]
A considerable quantity of Church plate which he purloined he has sent
to a silversmith’s to be melted, and afterwards wrought into salvers
and other domestic vessels, marked with his initials, so that the
Consular family will always be served upon gold and silver plates and
dishes.
The cascades of St. Cloud are perfectly preserved, and they play once
a month for the amusement of the Parisian populace. The expense of
these exhibitions amounts to £12,750 per annum. The waterworks of
Marli, which originally cost £200,000 sterling, are to be destroyed in
order to increase the celebrity of those which ornament the Consular
residence.
I have more than once had occasion to animadvert on the facilities open
to licentiousness and debauchery in almost every place of public resort
in Paris. There is a circumference of wickedness traced within twelve
miles of this metropolis, seemingly on purpose to prevent unwary youth
from escaping the bonds of infection. No repose or time for reflection
is allowed to the voluptuous inhabitant of Paris. Of this melancholy
truth the detail of what I saw in the village of St. Cloud is a proof.
Public-domain text, read in full here on John Shaqi.
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