France in eighteen hundred and two : $b Described in a series of contemporary lettersYorke, Henry Redhead
History
France in eighteen hundred and two : $b Described in a series of contemporary letters
Yorke, Henry Redhead
France -- Description and travel
The famous painter, Boucher, then a very old man, saw some sketches
made by young David, and offered to take him into his studio as a
pupil. After Boucher, the painter Vien became David’s master, and the
student competed for the “Grand Prix de Rome”; he was unsuccessful four
times, but finally carrying off the prize started for Italy in 1776. He
devoted himself to the study of the antique, and adopted that severe
classical style by which his work is distinguished. While at Rome he
painted “The Pests of Saint Roch” for the Lazaretto at Marseilles. In
1780 he returned to Paris and produced “Belisarius” and “The Death
of Hector,” after which he was elected to the Academy, given an
appointment in the Louvre, and opened a school for young painters.
He married Mademoiselle Pecconi, a beautiful Italian girl, on the
occasion of his second visit to Rome in 1784. He exhibited the
“Horaces” in Paris, and was proclaimed “The Regenerator of Art.” Louis
XVI. patronised the painter, and commissioned him to paint “Brutus,”
which picture was finished early in 1789.
The Revolution changed David’s life and ideas; in 1790 the National
Assembly commissioned him to paint “The Oath in the Tennis Court.” In
1792 the artist was elected Deputy for Paris in the Convention. This
position seemed to affect his intellect and excite his brain.
The painter of “Brutus” considered himself another Brutus, and
imagined Louis XVI. deserved death because, being a king he must
necessarily be a tyrant.
During the early months of the Republic David organised those fêtes
which were intended to imitate the ancient popular feasts of Greece and
Rome.
He painted, amongst other numerous pictures, “The Assassination of
Michel le Pelletier” and that of “Marat by Charlotte Corday.” These
pictures were exhibited to the public in the courtyard of the Louvre.
He became the most violent among the violent Terrorists. His speeches
in the Convention invariably contained cries for more bloodshed. He
was the intimate friend and ally of Robespierre. After the fall of the
latter, David was twice arrested, and remained first four, and then
three, months in prison.
Public-domain text, read in full here on John Shaqi.
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