France in eighteen hundred and two : $b Described in a series of contemporary lettersYorke, Henry Redhead
History
France in eighteen hundred and two : $b Described in a series of contemporary letters
Yorke, Henry Redhead
France -- Description and travel
These places are to the seraglio what the cookshops are to the
restaurateurs. At these latter places you are served by a nod. The
dish is placed on the table the moment it is ordered. Private rooms
offer you everything to satiate gluttony and sensuality. The glasses
which decorate them offer to the libidinous eye of an old satyr the
charms of his mistress, and all the seats are elastic. There is a
private saloon in which you drink the coolest liquors, and where burnt
incense escapes from boxes in light cloudy streams. There you dine _à
l’Orientale_! and find on certain days all the pomp and singularity
of a repast of Trimalcion. On a signal given the ceiling opens, and
from above descended heathen goddesses in classical attire. The
amateurs choose, and the divinities, not of Olympus, but the ceiling,
join the mortals.
[Sidenote: GARDEN OF THE PALAIS ROYALE]
Such is the infected lazar house, placed in the middle of a great city,
which has reduced the whole of society to degradation and corruption.
Independently of the fatal contagion of gaming, the excuses of cupidity
under all its forms, and the licentiousness of morals, blasphemy and
infidelity in every mouth, and at every moment, brutal and depraved
language has pervaded every condition and made a sport of sacred words
heretofore never pronounced without respect. Everywhere you meet
troops of children, without order or modesty, who swear, blaspheme,
and scandalise chaste and pious ears. At Sodom and Gomorra they would
not have allowed such books to circulate as are printed and sold in
the Palais Royale. The infamous work of De Sade,[1] “Justine, or the
Misfortunes of Virtue,” is exposed on every stall, and a hundred other
productions, equally distinguished for turpitude and vice, are there to
finish the decomposition of what instinctive morality remains in the
hearts of young people.
I cannot help expressing the utmost indignation against the compiler
of a publication just issued, entitled, “A Practical Guide, during a
journey from London to Paris,” in which the writer asserts “that no
station, no age, no temper could leave the Palais Royale without an
ardent desire to return.” It is proper the English public should not be
thus abused by perversions and falsehoods, and on this account I have
entered more fully into a detail of the wanton and disgusting scenes
at the Palais Royale than their monstrous enormities would otherwise
deserve.
Public-domain text, read in full here on John Shaqi.
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