France in eighteen hundred and two : $b Described in a series of contemporary lettersYorke, Henry Redhead
History
France in eighteen hundred and two : $b Described in a series of contemporary letters
Yorke, Henry Redhead
France -- Description and travel
The attendants withdrew the curtains, a blaze of creative glory dazzled
our sight, and in this moment of admiration I could not refrain from
whispering to the philosopher from whom I had before received several
lessons on the different degrees of French Atheism: “There is a God!”
He smiled and returned for answer that I was evidently in an ecstasy.
Before I relate the various dispositions of the museum, I will give
an account of the impressions which the whole excited in our minds.
All the variegated productions of Nature were before our eyes; and
the perilous researches of the most adventurous circumnavigators and
natural historians submitted to our examination. Whatever is great and
wonderful in the operations of Providence, whatever has been discovered
in regions so far explored by man, we had an opportunity of seeing.
The quadrupeds form a distinct compartment and the whole collection
of other animals, together with fossils, shells, minerals and stones,
is disposed in glass cases, extending from the top of the gallery to
the floor. There is also a compartment allotted to esculent roots and
specimens of trees. On the right hand stands the albatross, which has
been so beautifully described in Captain Cook’s voyages; next the
maimed bird which has no wings and lives entirely on the water. It has
an immense cylindrical body, behind which are fixed what may be called
two oars instead of feet. The body is covered by a species of hard
down, having the appearance of close-shaved hair, shooting out in small
shining tubes and forming a coat of mail impervious to the water.[3]
Then follow the crane, the swan, the heron, the ibis, the ostrich, the
pelican, &c.
It is not my intention to give an account of every animal we saw, much
less to mention all their names; for, in the first place, it would be
attempting a subject on which I am ashamed to confess my ignorance,
and, in the second, would occupy a volume. I only wish to notice
singularities. Amongst these was the largest and most beautiful bird
I ever beheld. The body, completely white, the wings tinged with a
gold colour.[4] I am still unacquainted with its name, as no one could
inform us to what species it belonged; but I mention it on account of
the following anecdote, which conveys a forcible impression in a few
words.
“Where did this bird come from?” said one of our party.
“We borrowed it from the Stadtholder,” replied the attendant; adding,
“and if he had not lent it, we should have taken it.”
Public-domain text, read in full here on John Shaqi.
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