So they stay laughing and chatting, and then Monsieur the Viscount bids
his friend good-night, and holds him towards Madame, that she may do the
same. But Madame (who did not enjoy Monsieur Crapaud's society in
prison) cannot be induced to do more than scratch his head delicately
with the tip of her white finger. But she respects him greatly, at a
distance, she says. Then they go back along the terrace, and are met by
a man-servant in Monsieur the Viscount's livery. Is it possible that
this is Antoine, with his shock head covered with powder?
Yes; that grating voice which no mental change avails to subdue, is his,
and he announces that Monsieur le Curé has arrived. It is the old Curé
of the village (who has survived the troubles of the Revolution), and
many are the evenings he spends at the chateau, and many the times in
which the closing acts of a noble life are recounted to him, the life of
his old friend whom he hopes ere long to see,--of Monsieur the
Preceptor. He is kindly welcomed by Monsieur and by Madame, and they
pass on together into the chateau. And when Monsieur the Viscount's
steps have ceased to echo from the terrace, Monsieur Crapaud buries
himself once more among the violets.
* * * * *
Monsieur the Viscount is dead, and Madame sleeps also at his side; and
their possessions have descended to their son.
Not the least valued among them, is a case with a glass front and sides,
in which, seated upon a stone is the body of a toad stuffed with
exquisite skill, from whose head gleam eyes of genuine topaz. Above it
in letters of gold is a date, and this inscription:--
"MONSIEUR THE VISCOUNT'S FRIEND."
ADIEU!
THE YEW-LANE GHOSTS.
CHAPTER I.
"Cowards are cruel."
OLD PROVERB.
This story begins on a fine autumn afternoon, when at the end of a field
over which the shadows of a few wayside trees were stalking like long
thin giants, a man and a boy sat side by side upon a stile. They were
not a happy looking pair. The boy looked uncomfortable, because he
wanted to get away, and dared not go. The man looked uncomfortable also;
but then no one had ever seen him look otherwise, which was the more
strange as he never professed to have any object in life but his own
pleasure and gratification. Not troubling himself with any consideration
of law or principle--of his own duty or other people's comfort--he had
consistently spent his whole time and energies in trying to be jolly;
and though now a grown-up young man, had so far had every appearance of
failing in the attempt. From this it will be seen that he was not the
most estimable of characters, and we shall have no more to do with him
than we can help; but as he must appear in the story, he may as well be
described.
Public-domain text, read in full here on John Shaqi.
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