Some of the people on the platform observed the driver closely. One man
walked past and surveyed him. This man hastened to join some of the
loungers.
“Say!” he exclaimed, in a hoarse whisper, “I bet ten dollars that
feller’s wearin’ false whiskers!”
“Git out!” retorted several. “What makes you think so?”
“I seen Sile Levitt wear whiskers jest like them in the play over to
the Four Corners Schoolhouse last winter.”
“You’re luny! What would that man want to wear false whiskers for? He
ain’t in no play.”
Another carriage appeared. Mr. and Mrs. Diamond left it. They had come
to meet Inza.
The train whistled in the distance.
In a few moments it whistled for Bloomfield station. It came rushing up
to the platform and stopped. Inza and her companions were on board.
In the midst of the excitement the door of the strange closed carriage
opened and a pale-faced young man stepped out. He fixed his eyes on
Inza, who had descended from the train. She was dressed in a brown
traveling suit and was acknowledging the merry greetings of the friends
who had met her.
Bart Hodge had hastened away to look after the baggage.
The villagers were staring agape.
“Gosh!” exclaimed Bill Kimball, who had reached the station barely in
time to see the passengers descend. “That’s her—that stunnin’ gal in
brown! She’s got black eyes, an’ Toots told me she was black-eyed and
the handsomest gal in the world. That’s her!”
“Who’s that pale-faced feller that’s jest got out of that kerriage?”
asked a young chap, turning his quid of tobacco in his mouth. “He’s
actin’ almighty queer.”
The person referred to was approaching Inza from behind, stepping
softly. He was unobserved by the friends who surrounded her. Of a
sudden he stepped forward, flung his arms round her, caught her from
her feet and turned to dash with her toward the carriage. The door was
open. The driver had his whip poised.
Inza screamed.
The man who had seized her flung her into the carriage and leaped after
her, jerking the door closed with a slam.
The whip in the hands of the driver whistled through the air and cut
the horses.
Away they leaped.
The astounded people on the platform had seemed dazed, but now they
awoke and shouted.
Buck Badger, who had sauntered after Hodge, turned at Inza’s cry. He
saw her flung into the carriage and saw the desperate man leap after
her.
“The old boy’s to pay!” cried Buck, his hand going to his hip. “That’s
whatever!”
Two strides brought him to the edge of the platform. As the horses
turned toward the street beyond the station something bright glinted
in the hand of the Kansan. This thing was leveled and a spout of smoke
burst from it.
The sharp report of a revolver added to the excitement of the moment.
With that report one of the horses gave a convulsive leap and fell to
the ground, dragging the other horse down. The uninjured animal was so
entangled in the harness that he could do little damage kicking. The
carriage was overturned.
Public-domain text, read in full here on John Shaqi.
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