It was still early. When he had left her, Helen looked at her watch;
only half-past ten. She stood thinking. Should she go out, as usual,
take her place in a long chair under the limes, close her eyes and
pretend to sleep? No, she could not do that. Should she sit down in her
room with Dante and a dictionary? No, that she would not do. Should she
walk far away into the woods and lie upon the ground and weep? That
would be a singularly foolish plan, and at lunch everybody would see
that she had been crying. Yet it was impossible to remain here, to
remain still, and thinking. She must move quickly, and make her body
tired. She went to her room, pinned on her hat, drew on her gloves, and,
choosing a stick as she went through the hall, passed from the grounds
and through the meadow walk to a long road, climbing and winding, whose
walls, at either side, seemed to hold back the billows of the woodland.
The day was hot and dusty. The sky was like a blue stone, the green
monotonous, the road glared white. Helen, with the superficial
fretfulness of an agony controlled, said to herself that nothing more
like a bad water-colour landscape could be imagined; there were the
unskilful blots of heavy foliage, the sleekly painted sky, and the sunny
road was like the whiteness of the paper, picked out, for shadows, in
niggling cobalt. A stupid, bland, heartless day.
She walked along this road for several miles and left it to cross a
crisp, grassy slope from where, standing still and turning to see, she
looked down over all the country and saw, far away, the roofs of
Merriston House. She stood for a long time looking down at it, the hot
wind ruffling her skirts and hair. It was a heartless day and she
herself felt heartless. She felt herself as something silent, swift, and
raging. For now she was to taste to the full the bitter difference
between the finality of personal decision and a finality imposed,
fatefully and irrevocably, from without. She had thought herself
prepared for this ending of hope. She had even, imagining herself
hardened and indifferent, gone in advance of it and had sought to put
the past under her feet and to build up a new life. But she had not been
prepared; that she now knew. The imagination of the fact was not its
realisation in her very blood and bones, nor the standing ready, armed
for the blow, this feel of the blade between her ribs. And looking down
at the only home she had ever had, in moments long, sharp, dream-like,
her strength was drained from her as if by a fever, and she felt that
she was changed all through and that each atom of her being was set, as
it were, a little differently, making of her a new personality, through
this shock of sudden hopelessness.
Public-domain text, read in full here on John Shaqi.
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