Her calm, her cool, sweet smile, like the light in the shaded room, were
very pleasing to Gerald. 'Ah, yes, but that was only a step, you see,'
he smiled back. He did not let her guess his full confidence, he took
all the steps one after the other in their proper order. He couldn't
give her romance, but he could give her every grace, and her calm made
him feel, happily and securely, that grace would quite content her.
'You must see,' he went on, still with his eyes on hers, 'that it's more
than that. You must see that you are dearer than that.' And then he
brought out his simple question, 'Will you be my wife?'
Althea sat still and her mind whirled. Until then she had been
unprepared. Her own feeling, the feeling that she had refused for days
to look at, had been so strong that she had only known its strength and
its danger to her pride; she had had no time to wonder about Gerald's
feeling. And now, in its freedom, her feeling was so joyous that she
could know only its joy. She was dear to him. He asked her to marry him.
It seemed enough, more than enough, to make joy a permanent thing in her
life. She had not imagined it possible to marry a man who did not woo
and urge, who did not make her feel the ardour of his love. But, now,
breathlessly, she found that reality was quite different from her
imagination and yet so blissful that she could feel nothing wanting in
it. And she could say nothing. She looked at him with her large eyes,
gravely, and touched, a little abashed by their gaze, he took her hand,
kissed it, and murmured, 'Please say you'll have me.'
'Do you love me?' Althea breathed out; it was not that she questioned or
hesitated; the words came to her lips in answer to the situation rather
than in questioning of him. And it was hardly a shock; it was, in a
subtle way, a further realisation of exquisiteness, when the situation,
in his reply, defined itself as a reality still further removed from her
imagination of what such a situation should be.
Holding her hand, his gay brown eyes upon her, he said, after only the
very slightest pause, 'Miss Jakes, I'm not a romantic person, you see
that; you see the sort of person I am. I can't make pretty speeches, not
when I'm serious, as I am now. When I make pretty speeches, I'm only
flirting. I like you. I respect you. I've watched you here in my old
home and I've thought, "If only she would make it home again." I've
thought that you'd help me to make a new life. I want to come and live
here, with you, and do the things I told you about--the things that
needed money.'
Public-domain text, read in full here on John Shaqi.
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