England -- Social life and customs -- 20th century -- Fiction; London (England) -- Fiction; Upper class families -- England -- Fiction
As those words of swan song died away he swayed and trembled, and
suddenly disappeared below the sight-line, as if he had sat down. The
little model took his place in the open window. She started at seeing
Hilary; then, motionless, stood gazing at him. Out of the gloom of the
opening her eyes were all pupil, two spots of the surrounding darkness
imprisoned in a face as pale as any flower. Rigid as the girl herself,
Hilary looked up at her.
A voice behind him said: “How are you? I thought I'd give my car a run.”
Mr. Purcey was coming from the gate, his eyes fixed on the window where
the girl stood. “How is your wife?” he added.
The bathos of this visit roused an acid fury in Hilary. He surveyed Mr.
Purcey's figure from his cloth-topped boots to his tall hat, and said:
“Shall we go in and find her?”
As they went along Mr. Purcey said: “That's the young--the--er--model I
met in your wife's studio, isn't it? Pretty girl!”
Hilary compressed his lips.
“Now, what sort of living do those girls make?” pursued Mr. Purcey. “I
suppose they've most of them other resources. Eh, what?”
“They make the living God will let them, I suppose, as other people do.”
Mr. Purcey gave him a sharp look. It was almost as if Dallison had meant
to snub him.
“Oh, exactly! I should think this girl would have no difficulty.” And
suddenly he saw a curious change come over “that writing fellow,” as he
always afterwards described Hilary. Instead of a mild, pleasant-looking
chap enough, he had become a regular cold devil.
“My wife appears to be out,” Hilary said. “I also have an engagement.”
In his surprise and anger Mr. Purcey said with great simplicity, “Sorry
I'm 'de trop'!” and soon his car could be heard bearing him away with
some unnecessary noise.
CHAPTER XXXII
BEHIND BIANCA'S VEIL
But Bianca was not out. She had been a witness of Hilary's long look at
the little model. Coming from her studio through the glass passage to
the house, she could not, of course, see what he was gazing at, but she
knew as well as if the girl had stood before her in the dark opening of
the window. Hating herself for having seen, she went to her room, and
lay on her bed with her hands pressed to her eyes. She was used to
loneliness--that necessary lot of natures such as hers; but the bitter
isolation of this hour was such as to drive even her lonely nature to
despair.
She rose at last, and repaired the ravages made in her face and dress,
lest anyone should see that she was suffering. Then, first making sure
that Hilary had left the garden, she stole out.
Public-domain text, read in full here on John Shaqi.
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