After the whole fable of the stabbing and bleeding had grown up, no doubt applied to these Hosts from a preceding case of accusation against Jews, that of 1351, less than thirty years before, it was thought advisable, if not necessary, to produce some evidence in favour of the story; but as no such evidence was obtainable, it was manufactured in a very ingenious manner. The entry in the register of accounts was published by the Père Ydens, after a notary had been required to collate the text. This notary--his name was Van Asbroek--gave his testimony that he had made an exact and literal transcript of the entry. What he and the Père Ydens gave as their exact, literal transcript was "recepta de bonis dictorum Judoeorum ... quæ defamata fuerant de sacramen_to puncto_ et furtive accep_to_." Ingenious, but disingenuous. In the first place they altered "sacramentis" from plural into singular, and then, the adverb _punicè_, "guiltily," into _puncto_, stabbed. Subsequently, Father Ydens and his notary have been quoted and requoted as authoritative witnesses. However, the document is now in the Archives at Brussels, and has been lithographed from a photograph for the examination of such as have not the means of obtaining access to the original.[6] The last jubilee of this apocryphal miracle was celebrated at Brussels in July, 1870. [6] Le Jubilé d'un faux Miracle (extrait de la Revue de Belgique), Bruxelles 1870. The Coburg Mausoleum. At the east end of the garden of the Ducal residence of Coburg is a small, tastefully constructed mausoleum, adorned with allegorical subjects, in which are laid the remains of the deceased dukes. Near the mausoleum rise a stately oak, a clump of rhododendron, a cluster of acacias, and a group of yews and weeping-willows. The mausoleum is hidden from the palace by a plantation of young pines. The Castle of Coburg is one of the most interesting and best preserved in Germany. It stands on a height, above the little town, and contains much rich wood-carving of the 15th and 16th centuries. Below the height, but a little above the town, is the more modern residence of the Dukes Ehrenburg, erected in 1626 by the Italian architect Bonallisso, and finished in 1693. It has that character of perverse revolt against picturesqueness that marked all the edifices of the period. It has been restored, not in the best style, at the worst possible epoch, 1816. The south front remains least altered; it is adorned with a handsome gateway, over which is the inscription, "Fried ernährt, Unfried verzehrt"--not easily rendered in English:-- "Peace doth cherish-- Strife makes perish." The princes of Coburg by their worth and kindly behaviour have for a century drawn to them the hearts of their subjects, and hardly a princely house in Germany is, and has been, more respected and loved.