Frederic Chopin: His Life, Letters, and Works, v. 1 (of 2)Karasowski, Maurycy
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Frederic Chopin: His Life, Letters, and Works, v. 1 (of 2)
Karasowski, Maurycy
Chopin, Frédéric, 1810-1849
Wotkowʼs reception was warmer than Gladkowskaʼs, which Soliva
did not seem to like. He said to me, yesterday, that he did not
wish Wotkow to win more applause than her fellow pupil. I think
a considerable share of the approbation is to be ascribed to the
character which pleases the public better (captivated also by the
young girlʼs beauty) than the tragic misery of the unhappy daughter
in Paerʼs opera. Gladkowska is to appear shortly in the “Diebischen
Elster,” but this “shortly” will last till I am over the mountains.
Perhaps you will then be in Warsaw, and will give me your opinion
of the performance. Her third _rôle_ is to be “Vestalin.”
* * * * *
_Warsaw, October 5th, 1830._
I was longing very much for your letter, which has somewhat
soothed me. You cannot conceive how impatient and wearied (a
feeling I cannot struggle against) I am of everything here. After
the orchestral trial of my second Concerto, it was decided that
I should appear with it at the Theatre on Monday, 11th instant.
Although this does not quite suit me, I am curious to know what
effect the composition will have on the public. I hope the Rondo
will produce a good impression generally. Soliva said, “il
vous fait beaucoup dʼhonneur;” Kurpinski thought it contained
originality, and Elsner an especially piquant rhythm. To arrange
a good concert, in the true sense of the word, and to avoid the
unfortunate clarionet and flageolet solos, Mdlles. Gladkowska and
Wotkow will give some solo numbers. As to overtures I will not have
the one either to “Leszek,” or to “Lodoiska,” but that to “William
Tell.”
You would hardly imagine the difficulty I had to obtain permission
for the ladies to sing. The Italian granted it readily, but I had
to go to a higher authority still: to the Minister Mostowski, who
finally agreed, for it makes no difference to him. I do not know
yet what they will sing, but Soliva tells me that a chorus will be
necessary for one of the arias.
I am certain not to be in Warsaw a week after the concert. My
trunk is bought, the outfit ready, the score corrected, the pocket
handkerchiefs hemmed, the new stockings and the new coat tried on,
&c. Only the leave-taking remains, and that is the hardest of all.
* * * * *
[Sidenote: THE CONCERT “A PERFECT SUCCESS.”]
_Warsaw, October 12th, 1830._
MY DEAREST,
Public-domain text, read in full here on John Shaqi.
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