Frederic Chopin: His Life, Letters, and Works, v. 1 (of 2)Karasowski, Maurycy
History
Frederic Chopin: His Life, Letters, and Works, v. 1 (of 2)
Karasowski, Maurycy
Chopin, Frédéric, 1810-1849
It seems at first sight a matter of surprise that Chopin did not
produce one dramatic work during his many yearsʼ residence in Paris,
where there is such an abundance of good models and first-rate artists;
besides which there was at that time not only the Grand Opera, but
the Comic and Italian operas. But no one fully acquainted with the
circumstances will be astonished that, in Paris, Chopin should have
held aloof from the stage. In Italy, a new opera can be mounted without
much expense, for the public care little about costumes and scenery.
They attend the opera solely for the music; if this finds favour and
the singers are good a new work may be performed, several nights in
succession, and the fortune of the composer is made. But in Paris a new
opera necessitates a large outlay, besides which—and particularly in
the case of a foreigner—a famous reputation and influential patronage
are requisite for the acceptance of any great operatic work. The
Parisians demand a mounting at once tasteful and gorgeous, and every
opera—whatever the excellence of the music—must include some brilliant
dances in order to produce a due effect. Otherwise a _fiasco_ may be
predicted with something like certainty.
When Chopin settled in Paris he had to take thought for means of
subsistence, in order to render needless any further pecuniary
sacrifices on the part of his parents. In spite of his masterly skill
he did not find it easy to gain a footing in a city, where there were
already many pianists of talent and celebrity. In the winter famous
performers from all parts of Europe resorted to the capital of the
continent to let their light shine before the leaders of fashion.
To keep abreast of such competitors Chopin was compelled to study
continuously, and only a _virtuoso_ knows what this means. Neither
could he abandon society, although this would have been better for his
delicate health. If he could have lived according to his inclinations
as a composer, not as an executant, and a Scribe had written a libretto
for him, an opera might then have been included among his productions
in Paris.
Public-domain text, read in full here on John Shaqi.
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