Frederic Lord Leighton: An Illustrated Record of His Life and WorkRhys, Ernest
General
Frederic Lord Leighton: An Illustrated Record of His Life and Work
Rhys, Ernest
Leighton of Stretton, Frederic Leighton, Baron, 1830-1896
and fastidious seeker after the ideal in form. He found the man he
wanted in Professor Aitchison.
We must go over the outside and inside of the house, but rapidly; for to
do more than just indicate the points worth attention would be waste of
effort. To convey an idea of the feelings produced by architecture is
perhaps possible, but it is perfectly vain to hope to picture it or
reproduce in words the actual beauties of proportion or of colour. Those
who wish to verify them must see for themselves and examine the building
carefully.
The aspect of the house as seen from the street is, it must be admitted,
hardly symmetrical; but it is evident also that the first design has
been much altered and added to. At one end the Arab Hall, with its dome
and "bearded" battlements, is an obvious afterthought, in great contrast
with the serious simplicity of the rest. And at the other end the glass
studio, which was added later still, is also clearly an excrescence. The
centre part was the original house, and the studio was the chief feature
of it, and very much as it is now. It is, of course, on the north side,
and the street, the south side, is occupied by small rooms which, with
their repeated small openings, offer no great scope for designing.
Still, the whole has that look of dignity which always accompanies high
finish; and the entrance, far from being commonplace, because it has
nothing quaint or surprising about it, has a certain ample serenity
which it is rare to find. The mouldings of stonework and woodwork, few
and simple as they are, are not taken out of a pattern-book, as is
usually the case, but are specially designed each for its own position.
All the refinement of a building consists in its mouldings, and no one
has designed mouldings better than Professor Aitchison. A vast
improvement has been made in this respect in the last twenty years or
so, and it is largely due to his influence. At any rate he was one of
the first and he remains the best of modern designers of mouldings.
There are some fine examples of his work in the house.
Public-domain text, read in full here on John Shaqi.
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