In the afternoon they drove to Capitol Hill; they dropped in at various pretty houses and met the sort of people Claire knew back home. Between people they had Views; and the sensible Miss Boltwood, making a philosophic discovery, announced to herself, "After all, I've seen just as much from this limousine as I would from a bone-breaking Teal bug. Silly to make yourself miserable to see things. Oh yes, I will go wandering some more, but not like a hobo. But---- What can I say to him? Good heavens, he may be here any time now, with our car. Oh, why--why--why was I insane on that station platform?" CHAPTER XXV THE ABYSSINIAN PRINCE Snoqualmie Pass lies among mountains prickly with rocks and burnt stumps, but the road is velvet, with broad saucer curves; and to Milt it was pure beauty, it was release from life, to soar up coaxing inclines and slip down easy grades in the powerful car. "No more Teals for me," he cried, in the ecstasy of handling an engine that slowed to a demure whisper, then, at a touch of the accelerator, floated up a rise, effortless, joyous, humming the booming song of the joy in speed. He suddenly hated the bucking tediousness of the Teal. The Gomez-Dep symbolized his own new life. So he came to Lake Washington, and just across it was the city of his long dreams, the city of the Pacific--and of Claire. There was no ferry in sight, and he rounded the lake, struck a brick pavement, rolled through rough woods, suburban villas, and petty business streets, to a region of factories and mills, with the funnels of ships beyond. And every minute he drove more slowly and became more uneasy. The pavement--the miles of it; the ruthless lumbermills, with their thousands of workmen quite like himself; the agitation of realizing that every three minutes he was passing a settlement larger than Schoenstrom; the strangeness of ships and all the cynical ways of the sea--the whole scene depressed him as he perceived how little of the world he knew, and how big and contemptuous of Milt Daggetts that world must be.