Free Opinions, Freely Expressed on Certain Phases of Modern Social Life and ConductCorelli, Marie
Religion
Free Opinions, Freely Expressed on Certain Phases of Modern Social Life and Conduct
Corelli, Marie
English essays -- 20th century; Great Britain -- Social life and customs -- 20th century
Not very long ago there was held a wonderful “symposium” of dress at
the establishment of a certain modiste. It was intensely diverting,
entertaining and instructive. A stage was erected at one end of a long
room, and on that stage, with effective flashes of lime-light played
from the “wings” at intervals, and the accompaniment of a Hungarian
band, young ladies wearing “creations” in costume, stood, sat, turned,
twisted and twirled, and finally walked down the room between rows
of spectators to show themselves and the gowns they carried, off to
the best possible advantage. The whole thing was much better than a
stage comedy. Nothing could surpass the quaint peacock-like vanity
of the girl _mannequins_ who strutted up and down, moving their arms
about to exhibit their sleeves and swaying their hips to accentuate
the fall and flow of flounces and draperies. It was a marvellous sight
to behold, and it irresistibly reminded one of a party of impudent
children trying on for fun all their mother’s and elder sisters’ best
“long dresses” while the unsuspecting owners were out of the way. There
was a “programme” of the performance fearfully and wonderfully worded,
the composition, so we were afterwards “with bated breath” informed,
of Madame la Modiste’s sister, a lady, who by virtue of having written
two small skits on the manners, customs and modes of society, is, in
some obliging quarters of the Press called a “novelist.” This programme
instructed us as to the proper views we were expected to take of the
costumes paraded before us, as follows:
FOR THE DINNER PARTY
Topas
Elusive Joy
Pleasure’s Thrall
Red Mouth of a Venomous Flower
The “Red Mouth of a Venomous Flower” was a harmless-looking girl in a
bright scarlet toilette,--neither the toilette nor the sensational
title suited her. But perhaps the “Cult of Chiffon” presented the most
varied and startling phases to a properly receptive mind. Thus it ran:
THE CULT OF CHIFFON
The Dirge O’er the Death of Pleasure
The Fire Motif
The Meaning of Life is Clear
Moss and Starlight
Incessant Soft Desire
A Frenzied Song of Amorous Things
A Summer Night Has a Thousand Powers
Public-domain text, read in full here on John Shaqi.
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