All night, under murky stars, we tear along a dreary path; pines on
our right, pines on our left, and pines in our front. We bump through
a village, waking up houseless dogs; we reach a ferry, and pass the
river on a raft; we grind over stones and sand; we tug through slush
and bog; all night, all day; all night again, and after that, all day;
winding through the maze of forest leaves, now burnt and sear, and
swirling on every blast that blows. Each day of our drive is like its
fellow. A clearing, thirty yards wide, runs out before us for a
thousand versts. The pines are all alike, the birches all alike. The
villages are still more like each other than the trees. Our only
change is in the track itself, which passes from sandy rifts to slimy
beds, from grassy fields to rolling logs. In a thousand versts we
count a hundred versts of log, two hundred versts of sand, three
hundred versts of grass, four hundred versts of water-way and marsh.
We smile at the Russians for laying down lines of rail in districts
where they have neither a turnpike road nor a country lane. But how
are they to blame? An iron path is the natural way in forest lands,
where stone is scarce, as in Russia and the United States.
If the sands are bad, the logs are worse. One night we spend in a kind
of protest; dreaming that our luggage has been badly packed, and that
on daylight coming it shall be laid in some easier way. The trunk
calls loudly for a change. My seat by day, my bed by night, this box
has a leading part in our little play; but no adjustment of the other
traps, no stuffing in of hay and straw, no coaxing of the furs and
skins suffice to appease the fretful spirit of that trunk. It slips
and jerks beneath me; rising in pain at every plunge. Coaxing it with
skins is useless; soothing it with wisps of straw is vain. We tie it
with bands and belts; but nothing will induce it to lie down. How can
we blame it? Trunks have rights as well as men; they claim a proper
place to lie in; and my poor box has just been tossed into this
tarantass, and told to lie quiet on logs and stones.
Still more fretful than this trunk are the lumbar vertebræ in my
spine. They hate this jolting day and night; they have been jerked out
of their sockets, pounded into dust, and churned into curds. But then
these mutineers are under more control than the trunk; and when they
begin to murmur seriously, I still them in a moment by hints of taking
them for a drive through Bitter Creek.
Ha! here is Holmogory! Standing on a bluff above the river, pretty and
bright, with her golden cross, her grassy roads, her pink and white
houses, her boats on the water, and her stretches of yellow sands; a
village with open spaces; here a church, there a cloister; gay with
gilt and paint, and shanties of a better class than you see in such
small country towns; and forests of pine and birch around
her--Holmogory looks the very spot on which a poet of the people might
be born!
CHAPTER XXXV.
A PEASANT POET.
Public-domain text, read in full here on John Shaqi.
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