To lose his papers is a calamity for the rustic hardly less serious than to lose his leg. Without his papers he is an outlaw at the mercy of every one who hates him. He must go back at once to his village; if he has been lucky enough to get his name on the books of a tsek, he must find the elder, prove his loss, procure fresh evidence of his identity, and get this evidence countersigned by the police. Yet when a rustic comes to Moscow nothing is more likely than that his passport will be stolen. In China-town there is a rag fair, called the Hustling Market, where cheap-jacks sell every sort of ware--old sheep-skins, rusty locks and keys, felt boots (third wear), and span-new saints in brass and tin. This market is a hiring-place for servants; and lads who have no friends in Moscow flock to this market in search of work. A fellow walks up to the rustic with a town-bred air: "You want a place? Very well; let me see your passport." Taking his papers from his boot--a peasant always puts his purse and papers in his boot--he offers them gladly to the man, who dodges through the crowd in a moment, while the rustic is gaping at him with open mouth. A thief knows where he can sell these papers, just as he could sell a stolen watch. Having got his name inscribed in a tsek, his passport signed by his elder and countersigned by the police, the peasant, now become a burgher, looks about him for an artel, which, if he have money enough, he proceeds to join. An artel is an association of workmen following the same craft, and organized on certain lines, with the principles of which they are made familiar in their village life. An artel is a commune carried from the country into the town. The members of an artel join together for their mutual benefit and insurance. They elect an elder, and confide to him the management of their concerns. They agree to work in common at their craft, to have no private interests, to throw their earnings into a single fund, and, after paying the very light cost of their association, to divide the sum total into equal shares. In practical effect, the artel is a finer form of communism than the commune itself. In the village commune they only divide the land; in the city artel they divide the produce. The origin of artels is involved in mist. Some writers of the Panslavonic school profess to find traces of such an association in the tenth century; but the only proof adduced is the existence of a rule making towns and villages responsible, in cases of murder, for the fines inflicted on the criminal--a rule which these writers would find in the Frankish, Saxon, and other codes. The safer view appears to be, that the artel came from Asia. No one knows the origin of this term artel--it seems to be a Tartar word, and it is nowhere found in use until the reign of those tartarized Grand Dukes of Moscow, Ivan the Third and Ivan the Fourth. In fact, the artel seems to have been planted in Russia with the commune and the serf.