We then turned away from the lake, and went to the heights which rose in a
half-crescent form around Eden Vale. Here we perceived at once, even at a
distance of nearly two miles, a gigantic building which must constantly
excite the admiration of even those who are accustomed to it, and which
fairly bewildered us strangers. It is as unparalleled in size as it is
incomparable in the proportions and harmonious perfection of all its parts.
It gives at once the impression of overpowering majesty and of fairy-like
loveliness. This wonderful structure is the National Palace of Freeland,
and was finished five years ago. It is the seat of the twelve supreme
Boards of Administration and the twelve Representative Bodies. It is built
entirely of white and yellow marble, surpasses the Vatican in the area it
covers, and its airy cupolas are higher than the dome of St. Peter's. That
it could be built for 9,500,000£ is explained only by the fact that all the
builders as well as all the best artists of the country pressed to be
employed in some way in its erection. And--so David told me--the motive
that prompted the artists and builders to do this was not patriotism, but
pure enthusiasm for art. Freeland is rich enough to pay any price for its
National Palace, and no one had a thought of lessening the cost of the
building; but the peculiar and impressive beauty of the work as seen in the
design had fascinated all artists. David described the feverish excitement
with which the commissioners appointed to decide upon the designs sent in
announced that a plan had been presented, by a hitherto unknown young
architect, which was beyond description; that a new era had been opened in
architecture, a new style of architecture invented which in nobility of
form rivalled the best Grecian, and in grandeur the most massive Egyptian
monuments. And all who saw the design shared in this enthusiasm. The
competitors--there were not less than eighty-four, for there had already
been a great deal of beautiful building in Eden Vale--without exception
withdrew their designs and paid voluntary homage to the new star that had
risen in the firmament of art.
Public-domain text, read in full here on John Shaqi.
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