French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
As the building is intended to receive only a few people at a time, all
the rooms, with the exception of the _Salon_, in case of a reception,
are not very large.
“The vestibule is graceful in form; in the four angles are niches with
statues. The four doors are symmetrically arranged. The outside door
faces that leading to the _Salon_. This room is high in proportion to
its size. The decoration is of woodwork, painted white, without gilding,
because it is so situated as to serve as a passage to the outer rooms
around it. However, the servants having the vestibule for retirement and
the _Salon_ being then able to be occupied by the masters, it is
therefore adorned with pictures, sculpture and mirrors. In cold weather,
there is a fire here for those who want to warm themselves after their
different amusements, the apartments to the right and left being
reserved for the relaxation of the masters of the house.
“On the right of the _Salon_ is a room for play. Opposite the windows
that light it, is a niche for a sofa, and in the two angles are recesses
for cabinets for holding the chess, tric-trac, counters, etc. Opposite
the chimney-piece, the wall is panelled and carved, the ornaments being
varnished and gilded.
“All these small rooms being intended for recreation of the mind,
nothing should be neglected to render the decoration fine and gay. It is
here that genius may soar and abandon itself to the vivacity of its
caprices, whilst in the _apartments de parade_ it must restrict itself
to the most rigid rules of conduct and good taste, and not fall into the
unrestrained liberties of the carving of to-day, which should be
banished with all the more reason that true architects scarcely tolerate
them in the rooms we are now describing.
“This play-room leads into another one where coffee is served. Here
Indian and Chinese plants and figures have full licence to take part in
the decoration: here they are naturally befitting; and, in my opinion,
this is the sole place where they should be admitted.
“Next we enter a _cabinet en niche_, oval in form, which is lighted by a
glass door that leads into a little bosquet, which serves as a private
promenade for this chamber. Opposite this door is a chimney-piece in an
arcade which matches the arcade in which the _lit en niche_ is
contained, and opposite which another of the same form is imitated, or
the door leading into this room. In this doorway is a staircase leading
up to the _entresols_ that are over this room and a little room behind
it, which are intended for the servants’ sleeping-rooms.
“From the coffee-room you enter a gallery that terminates the right side
of this building. This gallery is symmetrically decorated, and the
spaces between the windows are enriched with mirrors and consoles on
which are placed various curios, such as bronzes, crystals, porcelains,
etc.
“From this gallery you enter the garden.
Public-domain text, read in full here on John Shaqi.
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