French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
For these he gives numerous designs of trimmings for ornamental
glass-doors, a specimen of which appears on Plate XLII., No. 2. Other
bookcases were combinations of bookcases and writing-desks. Some of them
he calls “bureau desk and bookcase.” Two examples of the desk and
bookcase are shown as Nos. 2 and 3 on Plate XXXIX. One of these has many
of the so-called “Gothic” characteristics, with its pinnacles and
crockets, although the inverted C and shell-like scroll is in evidence,
while the other is quite “Chinese,” with its fretwork and
umbrella-shaped ornaments despite the dripping-water decoration upon the
glass doors. Sometimes another combination appears of a dressing-table
with a bookcase, and a table and bookcase is not uncommon either. A
writing-table and bookcase for a lady has “the middle feet come out with
the drawer, which hath a slider covered with green cloth or Spanish
leather for writing upon.”
Chippendale designed convenient library furniture, the forms of which
are solid and intended for comfort. His “buroe tables” usually consist
of two square tiers of drawers hollowed out in the centre and covered by
a large slab. Sometimes he makes a sweeping line as in No. 1 on Plate
XXXIX. On the same Plate, No. 5 exhibits the knee-hole of another “buroe
table” ornamented with a little carving. No. 5 on Plate XLI. shows one
end of a “library table.” Other tables are described as follows:
“A Gothic Table with different feet, the one solid, the other cut thro.”
“A Gothic Writing-Table, with one long drawer at the top, doors at each
end, drawers in the inside, and a recess for the knees.... The columns
are fixed to the doors and open with them.... This table has been made
more than once from this design, and has a better appearance when
executed than in the drawing.”
“A Gothic Library Table, the corners canted, and a Gothic column is
fixed at each corner; that fixed upon the doors, and opens with them.”
Another writing-table “hath a writing Drawer which draws out on one end
and has Term feet to support it.” The top “rises with a double horse to
stand to read or write upon.” Another plate shows a Library Table with
circular doors at each corner.
A writing-table in the Gothic taste has a “recess for the knees, and the
pillars are fixed to the Doors and open with them.”
“A Library table” has “drawers and doors on both sides with upright
Partitions for Books and Drawers for Works.”
Of another Library table he says: “The ends form an oval with carved
terms fixed to the Doors and which must be cut at the astragal, base
mouldings to open with the Doors.”
Another writing-table has drawers in the under part, small drawers and
“pigeon-holes” and a place for books in the upper. In another
writing-table “half of the front feet come out with the Drawer,” and in
one corner is a “quadrant drawer for ink and sand.”
Another has a “flap on hinges in the top that rises to write upon.”
Public-domain text, read in full here on John Shaqi.
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