The boudoir was furnished with two settees, two _bergères_, and two chairs covered with tapestry; and a desk stood in a counterfeit doorway. The window-curtains were of green taffeta, and a carpet covered the floor. In the bedroom, two large pictures took the place of hangings. A sofa-bed stood in the niche, draped with crimson and white Genoa velvet. The niche was hung with the same material. Two sofas, six square-backed arm-chairs, and a two-leaved screen and two _banquettes_ were covered similarly, but the four _cabriolets_ were upholstered in brocade. Another screen was covered with tapestry. There were also a foot carpet, an open fire-place with rich hearth furniture, pictures, and two lily-shaped girandoles of copper gilt, _or moulu_. A _moquette_ portière screened the passage to the _garde-robe_. The “Baths” occupied three rooms. The bath-room and its niche were hung with Persian; the window curtains were white, and here stood a _canapé_ and four _cabriolets_. The cabinet next to the bath contained a settee, four _cabriolets_, and two window-curtains, all in “painted Pekin.” The furnishings of the fireplace were gilt _or moulu_. The dressing-room was hung in damask paper, and its six _cabriolets_ were upholstered with crimson and white velvet. Mlle. Grimard’s suite upstairs consisted of antechamber, dining-room, drawing-room, dressing-room, bedroom, writing-room, and _garde-robe_. The ante-chamber was furnished with six cane chairs and a faïence fountain. The dining-room seats, covered with blue and white velvet, comprised six chairs and two arm-chairs. The _salon_, or drawing-room, contained five tables: one stood in each corner and one in the centre. There were six square arm-chairs, four chairs, and a settee of green and white damask, and the one _tabouret_ was covered with tapestry. The walls were hung with watered silk, and the curtains were green taffeta. The dressing-room contained four arm-chairs, and four chairs covered in blue and white damask; and the window-curtains were of blue taffeta. The arm-chair used at the toilette was upholstered in leather. The chimney-piece was “_à la Prussienne_,” and the hearth furniture was gilt _or moulu_. The bedroom was lighted by two windows, which were hung with curtains of green taffeta. The _lit en niche_ and the alcove draperies were of Indian dimity. The four arm-chairs and four chairs were covered with _toile de Jouy_. (See page 264.) The fireplace furnishings were gilt _or moulu_. In the writing-room, the two curtains were of green taffeta; and the desk arm-chair was covered with green velvet. Two china corner-cupboards stood in the _garde-robe_.