French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
The side of the room which the reader cannot see contains four windows,
furnished with window stools and lambrequins; and, between each window,
pier-glasses and pier-tables stand. These semi-circular tables were
used, when necessary, to extend the square table in the centre of the
room: one being placed at each end, for the extension table had not come
into fashion.
THE SHERATON PERIOD
[Illustration]
THE SHERATON PERIOD
Thomas Sheraton, an English journeyman cabinet-maker, settled in London
about 1790. From that date until his death in 1806, he seems to have
stopped working at his trade and to have spent his time writing
practical books on furniture. His first publication, _The Cabinet-Maker
and Upholsterer’s Drawing-Book_, appeared in 1791; but he had previously
published eighty-four _Designs for Furniture_. In 1803, he issued _The
Cabinet Dictionary_; and in 1804–7, _The Cabinet-Maker, Upholsterer and
General Artist’s Encyclopædia_ appeared.
How many of the models in Sheraton’s books are his own it is hard to
tell. He claims very few of them, and remarks in the _Cabinet-Maker and
Upholsterer’s Drawing-Book_ that “it is intended to exhibit the present
taste of furniture and at the same time to give the workman some
assistance in the manufacture of it.” Sheraton, like Chippendale, whose
“designs,” he says, “are now wholly antiquated and laid aside, though
possessed of great merit according to the times in which they were
executed,” and like Heppelwhite also, therefore exhibits the fashions of
his time—fashions that came from France. From what he himself writes, it
would seem that he gathered designs from various sources and worked for
popularity. He says:
“In conversing with cabinet-makers, I find no one individual equally
experienced in every job of work. There are certain pieces made in one
shop which are not manufactured in another, on which account the best of
workmen are sometimes strangers to particular pieces of furniture. For
this reason, I have made it my business to apply to the best workmen in
different shops to obtain their assistance in the explanation of such
pieces as they have been most acquainted with. And, in general, my
request has been complied with, from the generous motive of making the
book as generally useful as possible.”
Public-domain text, read in full here on John Shaqi.
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