French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
The chamber of Mlle. Gaudry (1708) had in it a bed, a _fauteuil de
commodité_, five folding-seats, and two _bureaux_. The bed, composed of
three outside hangings, three large curtains, two _bonnes grâces_,
valances, and pommes, was draped in crimson Lyons damask, trimmed with a
braid of aurora-coloured silk. The seats were upholstered in red velvet,
trimmed with red and aurora-coloured silk. One of the _bureaux_ was
covered with a carpet of red leather, lined with red serge; the leather
carpet of the other was lined with green serge.
The apartments of the Duke of Orleans at Versailles in 1708 consisted of
an antechamber, a chamber, a cabinet and a _garde-robe_ beside the
chamber.
The antechamber was hung with gold leather on a red background, the
designs representing branches and masques of gold, and children and
birds in natural hues. An eight-leaved screen, seven feet high, a form
covered with red moquette and the lower part of an _armoire_ furnished
this room.
The chamber contained a bed, four _fauteuils_, three chairs with backs,
six folding-stools, two screens, a table, a _bureau en commode_, two
_guéridons_, a _fauteuil de commodité_ and six _tabourets_. The
window-curtains were of white damask, trimmed with gold fringe, but the
room was hung with red velvet of a design of small branches, trimmed
with gold braid. The _portières_, lined with taffeta, were also of this
material. The outside draperies of the bed, which was 6½ feet long, 6
feet, 3 inches wide and 10 feet, 10 inches high, were of the same red
velvet, trimmed with gold braid and fringe, but the inside curtains,
headboard, etc., were of gold watered silk. In the centre of the
headboard was a cypher and a _fleur-de-lis_. The canopy was decorated
with four red velvet _pommes_, upon each of which was a bunch of white
feathers. The frames of all the seats were painted red picked out with
gold. One of the screens had a gilded frame and was covered with red
velvet; the other, covered with red damask with a design of crowns and
gold and silver flowers, ornamented with gold braid and a double fringe
of gold and silver, was supported by a stem of gilded wood on three
console feet. The _bureau en commode_ was of walnut, as was also the
small table. The latter was inlaid with ebony, contained a drawer and
stood on four twisted columns. This had two table carpets, one of red
velvet, lined with taffeta and trimmed with gold braid and gold fringe
trailing over the floor; the other, of leather, lined with serge and
trimmed with gold braid. The _bureau en commode_ had two large drawers
with iron rings. The two tables were of black Chinese lacquer ornamented
with gold. They were each 3 feet, 5 inches high, the leg of each resting
on three women’s heads of gilt bronze. The _fauteuil de commodité_ was
of crimson damask, trimmed with gold and silver fringe, and its frame
painted red picked out with gold. The wood of the six _tabourets_ was
Public-domain text, read in full here on John Shaqi.
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