French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
“The French have furnished us with abundance of fanciful decorations for
these purposes (ceilings and panels) little less barbarous than the
Gothic; and they were, like that species of building (for we will not
descend to call it architecture) received with great readyness; the art
seemed upon the point of being lost in England; but a better taste has
now prevailed. We should, in that danger, have declared for banishing
whatever came under the denomination of French ornament; but, now we see
it over, the art will be to receive these ornaments with discretion, to
adapt them to the few uses for which they are proper, and to soften
their luxurious use, and blend them with better figures, till we have
reduced them into a more decent appearance.
“A ceiling straggled over with arched lines, twisted curves, with X’s,
C’s and tangled semi-circles, may please the light eye of the French,
who seldom carry their observation farther than a casual glance; but
this alone is poor, fantastical and awkward; it is a strange phrase to
use for anything from France, but those who have seen such ceilings as
we here describe must acknowledge it is just.”
He then goes on to recommend a ceiling which the plate shows to be Louis
XV. in style.
Here then we have direct evidence of the favour in which the styles of
the Regency had been received in England. The _rocaille_ decoration and
the excessive use of Chinese subjects, and monkeys, arabesques and
floral devices, and particularly the broken curve, quickly overcame the
opposition encountered from conservative members of the old school and
strongly influenced Germany and England.
The expensive French wall-painting and silken hangings are imitated in
wall-paper. The taste even spread to America, for Mr. Hancock, of
Boston, sent to London in 1736 for paper-hangings for one of the rooms
of his new house. He says about three or four years ago one of his
friends had a hanging like the sample he sends, but he adds, “If they
can make it more beautiful by adding more birds flying here and there,
with some landskips at the bottom, should like it well. Let the ground
be the same colour of the pattern. At the top and bottom was a narrow
border of about 2 inches wide, which would have to mine.... In the other
part of these hangings are great variety of different sorts of birds,
peacocks, macoys, squirril, monkys, fruit and flowers, etc.”
The macoys (which, of course, are macaws or parrots) and the monkeys
proclaim the Regency taste.
Public-domain text, read in full here on John Shaqi.
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