French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
“The evil genius that so presides over cabinet-makers as to direct them
to persevere in such a pertinacious and stupid manner that the rules of
architecture, from whence all beautiful proportions are deduced, are
unworthy of their regard, I am at a loss to discover; except Murcea, the
Goddess of Sloth, acts that part and has thus influenced them to conceal
their dronish, lowlife incapacities and prompt them, with the fox in the
fable, to pronounce grapes sour that ripen out of their reach.
“Cabinet-makers originally were no more than spurious indocile chips,
expelled by joiners for the superfluity of their sap, and also, by
instilling stupid notions and prejudice to architecture into the minds
of youth educated under them has been the cause that at this time ’tis a
very great difficulty to find one in fifty of them that can make a
book-case, etc., indispensably true after any of the Five Orders without
being obliged to go to a joiner for to set out the work and make his
templets to work by.
“But if these gentlemen persist much longer thus to despise the study of
this noble art, the very basis and soul of their trade, which now to
many joiners is well understood, they will soon find the bad
consequences of so doing and have time enough on their hands to repent
of their folly—and more especially since that our nobility and gentry
delight themselves now more than ever in the study of architecture,
which enables them to distinguish good work and workmen from assuming
pretenders.”
On Plate XXV. are three of his eight designs of bookcases, which, “if
executed by a good joiner, and with beautiful materials, will have good
effects, or even if by a cabinet-maker, provided that he understands how
to proportion and work the Five Orders, which at this time, to the shame
of that trade be it spoken, there is not one in a hundred that ever
employed a moment’s thought thereon, or knows the Tuscan from the Doric,
or the Corinthian from the Composite Order, and more especially if the
Doric freeze hath its triglyphs and mutules omitted. In short, the
ultimate knowledge of these sort of workmen is generally seen to finish
with a monstrous Cove, on an Astragal, crowned with a Cima Reversa, in
an open pediment of stupid height.
[Illustration: PLATE XXVI]
Public-domain text, read in full here on John Shaqi.
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