French and English furniture : $b distinctive styles and periods described and illustratedSingleton, Esther
History
French and English furniture : $b distinctive styles and periods described and illustrated
Singleton, Esther
Furniture -- England; Furniture -- France
As a rule, the bed was the four-poster of oak, walnut or mahogany draped
with upper and lower valances and curtains. The window curtains always
matched those of the bed, and unless the chairs were of cane, or
leather, they were also covered with the same material. These hangings
were of silk or worsted damask, serge, flowered or figured russell,
harrateen, camlet, mohair, or chintz. Numerous products in silks and
cotton from India were also used. The Early Georgian bedroom was seldom
draped in white: the different bedrooms frequently are described as the
“Blue,” the “Yellow,” the “Red,” or the “Green Room.”
Sometimes a room contains an alcove and an alcove bed after the French
style, and the field-bed is not unfamiliar. The latter, however, is
chiefly reserved for the unimportant bedrooms.
The furniture includes small chairs and easy chairs, chests-of-drawers,
cases-of-drawers, chests-upon-chests, sometimes a press, a secretary,
and almost invariably two or three tables. One small table always stood
by the bed for such conveniences as a candlestick, etc.
The dressing-table was a case-of-drawers, such as is seen to the right
in Plate XXIV. Upon this is spread a toilet and over it hangs a mirror.
This is, of course, a species of commode. This piece of furniture of
late years has been called improperly a “low-boy,” as the high
case-of-drawers that sometimes stands on cabriole legs and sometimes on
six spindle-shaped legs joined by stretchers, has been called a
“high-boy.” Another variety is the chest-upon-chest consisting of a
double case-of-drawers.
These pieces are made of mahogany, walnut, cherry, or they are japanned,
painted with Chinese or Japanese subjects and lacquered, or painted and
lacquered in imitation of the French work of the day. The tall clock is
also frequently japanned and brightened with brass mounts. The frames of
looking-glasses and pictures are also frequently lacquered.
Engravings and mezzotints, which are very much in vogue, are framed in
this style, or in black. Although the grate is rapidly gaining favour,
the brass andirons have not been banished. In either case the hearth
furniture, tongs, shovel, etc., is of brass, more or less ornate.
Two bedrooms described in 1738 will give an idea of the appearance of
the sleeping-rooms of the age. One was a Green Room; the bed-curtains,
window-curtains, and chair coverings were of green harrateen. The floor
was covered with a Turkey carpet, and the chimney-piece was bright with
brass andirons and other hearth furniture. A pier-glass was hung between
the windows, and the rest of the furniture consisted of twelve chairs
and a couch, a dressing-glass and drawers, a bureau-table and three
large sconces with arms.
Public-domain text, read in full here on John Shaqi.
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