The _bon-mots_ of the French have been quoted from one end of Europe
to the other. Always they have displayed the brilliancy of their merit
and solaced their griefs in a lively and agreeable manner; always they
have stood in need of one another, as listeners taking turns in mutual
encouragement; always they have excelled in the art of knowing under
what circumstances to speak, and even under what circumstances to keep
still, when any commanding interest triumphs over their natural
liveliness; always they have possessed the talent of living a quick
life, of cutting short long discourses, of giving way to their
successors who are desirous of speaking in their turn; always, in
short, they have known how to take from thought and feeling no more
than is necessary to animate conversation without overstaking the
feeble interest which men generally feel for one another.
The French are in the habit of treating their own misfortunes lightly
from the fear of fatiguing their friends; they guess the weariness
which they would occasion by that which they would experience.... The
desire of appearing amiable induces men to assume an expression of
gayety, whatever may be the inward disposition of the soul; the
physiognomy by degrees influences the feelings, and that which we do
for the purpose of pleasing others soon takes off the edge of our own
individual sufferings.
_A sensible woman has said that Paris is, of all the world, the place
where men can most easily dispense with being happy._ [The foregoing
italicized passage was, Madame de Stael says, "suppressed by the
literary censorship under the pretext that there was so much happiness
in Paris now that there was no need of doing without it."] ... But
nothing can metamorphose a city of Germany into Paris.
... To succeed in conversation one must be able clearly to observe the
impression produced at each moment on people, that which they wish to
conceal, that which they seek to exaggerate, the inward satisfaction
of some, the forced smile of others; one may see passing over the
countenances of those who listen half formed censures which may be
evaded by hastening to dissipate them before self-love is engaged on
their side. One may also behold there the first birth of approbation,
which may be strengthened without, however, exacting from it more
than it is willing to bestow. There is no arena in which vanity
displays itself in such a variety of forms as in conversation.
Public-domain text, read in full here on John Shaqi.
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