The story of "Jocelyn" is avouched by the author to be almost a series
of actual occurrences. This assertion, to those familiar with
Lamartine's style in asserting, will not be quite so conclusive as on
its face it appears. At any rate, if "Jocelyn" be truth, Lamartine has
made truth read like fiction, and fiction of a highly improbable sort.
The story, true or fictitious--and which it is, as nobody now knows, so
nobody now cares--we need not detain our readers to report.
The poet staggered his public by printing on the title-page to his
"Jocelyn" the words, "An Episode," as much as to say that a certain
"Epic of Humanity," which he might finally (but which, as a matter of
fact, he never did) produce, would be large enough to make shrink into
the dimensions of a mere episode this poem of ten thousand lines more or
less!
Now for an extract or two. In the "Edinburgh Review," of a date not far
from fifty years past now, we find our translation. A day of festival,
followed by a long evening of out-door dancing to music, has just
closed. The breaking-up is described, with the sequel of young Jocelyn's
pensive and yearning emotions:
Then later, when the fife and hautboy's voice
Began to languish like a failing voice,
And moistened ringlets, by the dance unstrung,
Close to the cheek in drooping tresses clung,
And wearied groups along the darkening green
Gliding, in converse soft and low, were seen,
What sounds enchanting to the ear are muttered!
Adieus, regrets, the kiss, the word half uttered--
My soul was stirred; my ear with sweet sounds rife
Drank languidly the luscious draught of life;
I followed with my step, my heart, my eye,
Each maiden that with wearied eyes went by,
Thrilled at the rustle of each silken dress,
And felt that each that passed still left a joy the less.
At last the dance is hushed, the din at rest,
The moon is risen above the mountain's crest;
Only some lover, heedless of the hour,
Wends homeward, dreaming, to his distant bower;
Or, where the village paths divide, there stand
Some loitering couples, lingering hand in hand,
Who start to hear the clock's unwelcome knell,
Then dive and vanish in the forest dell.
Public-domain text, read in full here on John Shaqi.
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