French & English : $b A comparisonHamerton, Philip Gilbert
History
French & English : $b A comparison
Hamerton, Philip Gilbert
National characteristics, English; National characteristics, French
reality, several different arts according to the ways in which it is
practised, and they cannot be compared with each other. The popular
comparison of Landseer with Rosa Bonheur is foolish, because they have
nothing in common. There is no English artist who might be profitably
compared with Meissonier; he is comparable only with the Dutch. Several
clever Frenchmen have taken up water-colour of late, and some of them
have done interesting work; but not one of them has either the aims
or the qualities of Turner. A comparison can be usefully established
only between artists who paint the same class of subjects in the same
technical manner. The comparison of Turner, as an oil-painter, with
Claude is one that no intelligent critic would ever have made if Turner
had not himself provoked it. Turner proved only that he could imitate
Claude with a part of himself, as a very clever English Latinist might
studiously imitate Virgil. The complete Turner is so much outside of
Claude that the comparison stops short for want of material in the
Frenchman.
[Sidenote: The Revival of Etching.]
[Sidenote: Line Engraving.]
The revival of etching, which has been the most remarkable phenomenon
in the artistic history of our own time, has been common to England and
France, but more vigorously pursued by Frenchmen. This is due to the
great superabundance of young unemployed painters in France who are
happy to turn to anything that does not compel them to abandon art.
It is the peculiarity of etching that men are better trained for it
by the education of a painter than by the hard manual discipline of
the engraver. Line engraving has now died out in England. In France it
still maintains a feeble and precarious existence by the encouragement
of the State (through the _Chalcographie du Louvre_) and a society of
lovers of art who are trying to keep it alive.
[Sidenote: Photographic Processes.]
All the photographic processes for the reproduction of works of art
have been carried to perfection sooner in France than in England, and
France always keeps the lead. Photography, itself, is due to efforts
made by Niepce for the production of engraved plates.
[Sidenote: Literature in the two Countries.]
[Sidenote: Carlyle.]
[Sidenote: John Mill.]
[Sidenote: Ruskin.]
[Sidenote: Matthew Arnold.]
[Sidenote: Barbarians, Philistines, and Populace.]
Public-domain text, read in full here on John Shaqi.
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