French enterprise in Africa : $b the personal narrative of Lieut. Hourst of his exploration of the NigerHourst
History
French enterprise in Africa : $b the personal narrative of Lieut. Hourst of his exploration of the Niger
Hourst
French -- Sudan; Mali -- Description and travel; Niger River -- Description and travel; Tuaregs
The frogs, too, added to the droning of the mosquitoes what we may
call their peculiar Plain Songs or Gregorian chants. They were
very tame, showing no fear of us, but took up their abode here,
there, and everywhere: out in the open air, or in the huts, in our
books, under our tins, and in our water-vessels, and their ceaseless
singing in full solemn tones, echoed that of the distant choirs of
their wilder brethren chattering together amongst the grass by the
river-side. Although not composed on the spot, I cannot refrain from
quoting the following sonnet, produced by a member of our expedition,
and which forms a kind of sequel to the others I have transcribed
above—
LOVE-SONG.
When evening falls upon the land asleep,
When mute the singers of the tropic plain,
When winds die down, and every bird’s refrain
Or insect’s cry is hush’d in silence deep;
Then from the lotus beds triumphant leap
Frantic crescendoes of a rhythmic strain,
Wild cadences mount up, to sink again
Lamenting, as when mourners wail and weep;—
Comes to the traveller upon the stream,
A Plain-Song Litany of high despair;
The notes Gregorian fit into his dream
Of home and fatherland, remotely fair;—
Whilst from the gleaming mud in Niger’s course
Rises an amorous croak, now sweet, now hoarse.
In every country in the world fine weather comes after rain, and
the tornado was succeeded on the Niger by a star-light night of a
clearness and limpidity such as is never seen anywhere out of the
tropics. The soft murmur of the Niger was borne to us upon the gentle
night breeze, reminding us of the Fulah proverb—
“_Ulululu ko tiaygueul, so mayo héwi, déguiet_,” which may
be translated—
“Ulululu cries the brook, the big river is silent.”
A true description indeed of what really often seemed to happen during
our long imprisonment on our island, for we could hear the gurgling of
the rapid further down-stream, but the voice of the river was hushed.
Our nights passed quietly enough, watch being always kept by one white
man, one black subordinate officer, and two coolies. From Timbuktu
to Lokodja, that is to say, from January 21 to October 21, we five
Europeans had taken the night-watch in turn. It must be admitted that
at Fort Archinard it was sometimes rather difficult to remain awake,
and to keep ourselves from yielding to our exhausting fatigue. We had
to resort to various manœuvres, such as pinching ourselves, bathing
our feet, wrists, or head, and walking rapidly up and down. Sometimes,
as one or another of us sat in Father Hacquart’s folding-chair,
looking out upon the moon-lit scene, there was something very charming
about the silence and repose, and as we have already given several
quotations of poetical effusions, I think I must add just one more
on the night-watch, also composed by one of our party.
NIGHT-WATCH.
I loll and smoke, with mind a-blank;—we sail
Public-domain text, read in full here on John Shaqi.
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