With such a fine name in prospect, I wonder any peasant lad is lured
from the country to the big, unsatisfactory towns, as M. Bazin laments
in his tale of the _métayer_ and his sons. In the _métairie_ system the
partnership between landlord and _métayer_ is worked in this wise. The
landlord supplies stock, land, and implements; the _métayer_ brings the
labour, and the profits are equally divided. The _métayer_ boards his
labourers, and their wages vary, according to season, from seventy-five
centimes to two and a half francs per day. The agent, on this system, is
done away with, and the landlord and his partner stand as man to man.
The artisan, too, in the country enjoys a pleasant independence. He
builds his own house, he makes and maintains his own home with thrift and
ambition. The standard of honesty is high. There is little beggary or
drunkenness, and early marriages are frequent.
Of course the peasant is grasping,—it were idle to hide this, even in
praising his frugality. He is close-fisted and hard-headed, and would
rather part with his blood than with a franc; but he and his brother,
the artisan, have made, and help to keep, France where she is. However
deplorable the pictures of their land which French novelists and
story-tellers may offer us, we may believe, without fear of error, that
it is not _La Terre_ which represents the French peasantry, so human
and so lovable, despite its lack of disinterestedness and generosity;
and it is not M. Octave Mirbeau’s appalling heroine who represents the
great hard-working, honest, and intelligent artisan class. Both of them
have qualities above and beyond any to be looked for in the same classes
elsewhere; and if there were nothing else to admire, surely we must find
admirable their rectitude and their love of independence.
[Illustration]
CHAPTER IX
THE PRESS AND THE PEOPLE’S COLLEGES
Public-domain text, read in full here on John Shaqi.
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