And yet, while laughing at himself, and at all things round him, the
Frenchman offers us the ideal of an indefatigable worker in whatever
road he has elected to run his career. If he can talk well, he can work
hard, and no race seeks so strenuously as his to achieve perfection in
every path. The alacrity and precision of his speech he brings into
all he does, and I know no men who have won renown able to wear it so
simply, with such a delightful absence of pompousness, as distinguished
Frenchmen. Victor Hugo was, of course, the big exception indispensable
for the proof of the rule, for Victor Hugo sat in pontifical state on
his Throne of Letters, and posed as a sort of Napoleon. But that was a
part of his flamboyant genius, which had to make a life apart for itself.
Renan, with his delicate scepticism, his good-humoured tolerance, was
a much more convincing figure of French genius; he was more in keeping
with the urbane, gentle traditions of his race. The French language lends
itself to such a daily dignity of existence, that this may partly be the
reason there always seems to me something peculiarly and indescribably
harmonious about intimate life in France, as well as in its larger social
phases. Everybody about you, beginning with your servant, speaks so well,
that long intercourse with them unfits you for latitudes where speech is
less admirable and less choice.
[Illustration]
[Illustration]
CHAPTER XI
THE “LITTLE PEOPLE” OF PARIS
The “little people” of Paris are not confined to any particular quarter
of the city. They are to be found everywhere, in spacious avenues,
in streets of heraldic renown, in the sinister neighbourhood of La
Roquette, through the noisy length of St. Denis. Opposite the palace of
the Duke of La Rochefoucauld in the Rue de Varennes will you see an old
curiosity shop, and close by work a mild-eyed cobbler and his wife, a
little sempstress. Excellent types, both of these indefatigable little
people of Paris, living in two tidy attics of this aristocratic street,
with an air of quiet independence. The little people are of all sorts:
beginning with the “little” _bourgeoise_ and ending with the rag-picker
and the _marchand de quatre saisons_. The little _bourgeoise_ is a
curious study, and to penetrate into the precincts where she breathes and
thrives, the foreigner must be her boarder. Else will he obtain none but
a superficial view of her; and as her aspect is generally cheerful, her
manners pleasing, he will be disposed to think better of her than she
altogether deserves. The thrift of the little _bourgeoise_ must be given
its real and ugly name, avarice, for it is nothing else. It has turned
its back upon the virtue of economy, and has assumed the coarseness of
a vice. And so when she furnishes a spare room, it is that she shall
exploit mercilessly the stranger at her gates. The traveller in search of
experience may drop in upon her, but those not supplied with patience,
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account