23. CHANSON. 20. en sa liberté, i.e. free from her pursuit. PARAPHRASE
DU PSAUME CXLV. This is Psalm CXLVI in our English Bible.
JEAN RACINE.
1639-1699.
A dramatic genius of the highest order. But besides being a great
dramatist he was a consummate master of language. The choruses in
Esther and Athalie are excellent examples of the kind of lyric that
the tendencies represented by Malherbe permitted. The extract here
given is from Esther, Act III. The approach to the language of the
Psalms is evident throughout.
JEAN-BAPTISTE ROUSSEAU.
1670-1741.
The chief representative of the serious lyric in the eighteenth
century. This ode is a favorable example of the form which lyric
utterance assumed in this philosophizing century and under the
tradition of poetic dignity and propriety.
27. ODE À LA FORTUNE. 16. SYLLA (138-78 B.C.), the enemy of Marius and
author of the bloody proscription against the adherents of his rival.
17. ALEXANDRE, Alexander the Great. 18. ATTILA, king of the Huns from
434 to 453, who ravaged southern and western Europe from 450 to 452
and was known as "the scourge of God."
28. 16. LE RETOUR, i.e. the adverse turn.
ÉVARISTE-DÉSIRÉ DESFORGES DE PARNY.
1753-1814.
He wrote mostly in a lighter and erotic vein. He had many admirers
in his day who styled him the French Tibullus. His influence is
perceptible in the style of Lamartine.
Works: _Poésies érotiques_, 1778; _Opuscules poétiques_, 1779,
enlarged in succeeding editions; _les Rosicroix_, 1807; _Oeuvres_, 5
vols., 1808; _Oeuvres choisies_, 1827.
For reference : Sainte-Beuve, _Causeries du lundi_, vol. xv;
_Portraits contemporains_, vol. iv; George Saintsbury, _Miscellaneous
Essays_, London, 1892.
NICOLAS GILBERT.
1751-1780.
He has often been compared with Chatterton and has owed much of his
fame to the unfounded legend that he was a child of genius brought to
an untimely death by poverty and lack of recognition. His satires on
the vices of his time enjoyed a temporary reputation, but his real
legacy to posterity is the well-known lines here given.
Works: _Oeuvres complètes_, 1788, and frequently thereafter.
ROUGET DE L'ISLE.
1760-1836.
Though he wrote much in both prose and verse, nothing of his lives
except the _Marseillaise_, which has become the national song of
France. He composed both words and music in the night of April 25,
1792, while he was an officer of engineers at Strassburg. The last
stanza vas added later by another hand. The name, _la Marseillaise_,
comes from the fact that it was introduced to Paris by the troops from
Marseilles.
Works: _Essais en vers et en prose_, 1796.
For reference: J. Tiersot, _Rouget de l'Isle, son oeuvre, sa vie_,
1892.
32. LA MARSEILLAISE. 6. Beuillé, François-Claude Amour, marquis de
(1739-1800), a devoted royalist, who planned the flight of Louis XVI.
When the king was captured at Varennes he fled to England, where he
died.
MARIE-ANDRÉ CHÉNIER.
1762-1794.
Public-domain text, read in full here on John Shaqi.
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