Frenzied Finance, Vol. 1: The Crime of AmalgamatedLawson, Thomas William
History
Frenzied Finance, Vol. 1: The Crime of Amalgamated
Lawson, Thomas William
Amalgamated Copper Co.; Gas companies -- Massachusetts -- Boston; Insurance -- United States; Speculation; Standard Oil Company
It was after midnight when I left Addicks' office, and as I walked to my
hotel I was steeped in gloom and bitterness. Before me was the most
humiliating ordeal with which Fate had ever saddled me. I had to confess
failure a second time, and under such circumstances that Rogers would be
justified in believing me either a swindler or a dupe unworthy of
respect or consideration.
I was at 26 Broadway by ten o'clock the same morning. Mr. Rogers was in
his main private office. His secretary was with him. He was full of
business, and, I thought, preoccupied. As I entered, and before a word
of greeting passed, he gave me one of his keen, appraising glances.
"Well?" was all he said.
"Your estimate of Addicks was correct. He has no bonds," I said, giving
him the worst of it at once. I was desperate and certainly in no mood
for apology. Rogers looked at me. I thought he gasped. He
rushed--whether he pushed or pulled me, or we both slid, or how we got
there I don't know--but in an instant after I had said "He has no
bonds" we were in one of the number of 8 x 12 glass-sided pens he calls
waiting-rooms, but which the clerks have dubbed "visitors' sweatboxes."
He put both hands on my shoulders and he yelled--fairly _yelled_: "Say
that again! I did not get it."
In after-years I became on rather playful terms with the extraordinary
bursts of wrath to which Henry H. Rogers occasionally gives way, and
which sweep through the "System's" shrine like a tornado; but this was
my first experience, and it was a shock and a revelation. Just what was
going to happen next I could not imagine. I remembered afterward that
the most definite of the impressions that chased each other through my
mind was that Henry H. Rogers would surely have a stroke of apoplexy.
Then that he would "bust." However, I pulled myself together and began:
"Mr. Rogers, what's the use of getting excited?"
I got no further. He jumped backward. The next second I was in the
storm-centre. The room was small. Suddenly it became full of arms and
legs and hands waving and gesticulating, and fists banging and
brandishing; gnashing teeth and a convulsed face in which the eyes
actually burned and rained fire; and the language--such a torrent of
vilification and denunciation I have never heard, mingled with oaths so
intense, so picturesque, so varied that the assortment would have driven
an old-time East Indiaman skipper green with jealousy. I was horrified
for an instant, then surprised, and after that, if it had not been for
my position as the cause of it all, I should have been interested in the
exhibition as a performance.
I could hear a stirring and a movement outside. The clerks were
evidently aware of the scene. Forms passed rapidly across the
ground-glass walls. After a time Rogers controlled himself. Then he said
to me in a voice still vibrant with passion:
Public-domain text, read in full here on John Shaqi.
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