Fresh Every Hour: Detailing the Adventures, Comic and Pathetic of One Jimmy Martin, Purveyor of Publicity, a Young Gentleman Possessing Sublime Nerve, Whimsical Imagination, Colossal Impudence, and, Withal, the Heart of a Child.Toohey, John Peter
General
Fresh Every Hour: Detailing the Adventures, Comic and Pathetic of One Jimmy Martin, Purveyor of Publicity, a Young Gentleman Possessing Sublime Nerve, Whimsical Imagination, Colossal Impudence, and, Withal, the Heart of a Child.
Toohey, John Peter
Press agents -- Fiction
“In plain, everyday English,” went on Bartlett, “that’s just about the
best plant I’ve seen pulled off in the twenty years that I’ve been in
the theatrical business. I noticed that your little Cedar Rapids friend
was one of the ring-leaders. How you managed to get them all to play up
as well as they did is what I can’t understand. How did you work it?”
Jimmy paused for a moment or two before replying and coughed uneasily.
“I’ve got ’em trained,” he finally replied. “They’ll—they’ll do anything
I ask ’em to do—anything.”
It was characteristic of Jimmy to have decided, after considerable
speculation, that no motive other than an unselfish desire to please
himself and to assist in adding to the greater glory of the occasion had
prompted Lolita and her associates to profess conversion on the night
before. He had tried to reach her on the telephone several times with
the idea of thanking her for her unexpected co-operation in furthering
the success of his publicity scheme, but had been always met with the
response that she was not in. He finally decided to defer the expression
of his gratitude until that evening at the theatre. As a slight token of
his good-will and heart-felt thankfulness he ordered a bouquet of roses
delivered to her dressing-room and he personally wrote out a little card
to be affixed to it.
“To the best little press agent ever,” it ran, “from a cheap piker at
the game—Yours with love—Jimmy.”
He tried to preserve a slight semblance of becoming modesty throughout
the day, but the congratulations which poured in upon him from all sides
were of such a fulsome nature and coincided so perfectly with his own
opinion of himself that when evening came he was as expansive as the
leading man of a small town stock company and just about as reticent and
self-effacing as an auctioneer. He dined alone with a fine inner glow of
self-satisfaction and strolled into the lobby of the Colonial Theatre
about half an hour before curtain time at peace with the world.
There was a long line of patrons extending from the box-office window
almost out to the sidewalk and he watched the scramble for tickets with
a feeling of exalted serenity. The sound of voices at the swinging doors
leading into the foyer attracted his attention. He turned to see
Bartlett and the stage manager coming through. Their mood was one that
plainly boded developments of a decidedly disagreeable nature. They made
for Jimmy and pounced upon him simultaneously.
“Where’s that girl of yours?” inquired Bartlett in a tone that Jimmy
felt was a bit menacing.
“Yes, and where’s Natalie Nugent and Hilda Hennessey and Trixie Seville
and Yvonne Elaine and Dulcie Dolores and five or six others,” chimed in
the stage manager. “What do you know about ’em?”
“What do I know about ’em?” echoed Jimmy helplessly. “I don’t know
anything about ’em. What’s the idea?”
Public-domain text, read in full here on John Shaqi.
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