and serene melody was in such perfect keeping with the scene. The eye
and the ear both reported the same beauty and harmony. Then the clear,
rich fife of the grosbeak from the tops of the tallest trees, the simple
flute-like note of the veery, and the sweetly ringing, wildly lyrical
outburst of the winter wren, sometimes from the roof of our
butternut-colored tent--all joining with it--formed one of the most
noteworthy bits of a bird symphony it has ever been my good luck to
hear. Often at sundown, too, while we sat idly in our boat, watching the
trout break the glassy surface here and there, the same soothing melody
would be poured out all around us, and kept up till darkness filled the
woods. The last note would be that of the wood thrush, calling out
"_quit_," "_quit_." Across there in a particular point, I used at night
to hear another thrush, the olive-backed, the song a slight variation of
the veery's. I did hear in England in the twilight the robin, blackbird,
and song-thrush unite their voices, producing a loud, pleasing chorus;
add the nightingale and you have great volume and power, but still the
pure melody of my songsters by the lake is probably not reached.
VII
IN WORDSWORTH'S COUNTRY
No other English poet had touched me quite so closely as Wordsworth. All
cultivated men delight in Shakespeare; he is the universal genius; but
Wordsworth's poetry has more the character of a message, and a message
special and personal, to a comparatively small circle of readers. He
stands for a particular phase of human thought and experience, and his
service to certain minds is like an initiation into a new order of
truths. Note what a revelation he was to the logical mind of John Stuart
Mill. His limitations make him all the more private and precious, like
the seclusion of one of his mountain dales. He is not and can never be
the world's poet, but more especially the poet of those who love
solitude and solitary communion with nature. Shakespeare's attitude
toward nature is for the most part like that of a gay, careless reveler,
who leaves his companions for a moment to pluck a flower or gather a
shell here and there, as they stroll
"By paved fountain, or by rushy brook,
Or on the beachéd margent of the sea."
He is, of course, preëminent in all purely poetic achievements, but his
poems can never minister to the spirit in the way Wordsworth's do.
One can hardly appreciate the extent to which the latter poet has
absorbed and reproduced the spirit of the Westmoreland scenery until he
has visited that region. I paused there a few days in early June, on my
way south, and again on my return late in July. I walked up from
Windermere to Grasmere, where, on the second visit, I took up my abode
at the historic Swan Inn, where Scott used to go surreptitiously to get
his mug of beer when he was stopping with Wordsworth.
Public-domain text, read in full here on John Shaqi.
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