Wordsworth is described as the poet of nature. He is more the poet of
man, deeply wrought upon by a certain phase of nature,--the nature of
those sombre, quiet, green, far-reaching mountain solitudes. There is a
shepherd quality about him; he loves the flocks, the heights, the tarn,
the tender herbage, the sheltered dell, the fold, with a kind of
poetized shepherd instinct. Lambs and sheep and their haunts, and those
who tend them, recur perpetually in his poems. How well his verse
harmonizes with those high, green, and gray solitudes, where the silence
is broken only by the bleat of lambs or sheep, or just stirred by the
voice of distant waterfalls! Simple, elemental yet profoundly tender and
human, he had
"The primal sympathy
Which, having been, must ever be."
He brooded upon nature, but it was nature mirrored in his own heart. In
his poem of "The Brothers" he says of his hero, who had gone to sea:--
"He had been rear'd
Among the mountains, and he in his heart
Was half a shepherd on the stormy seas.
Oft in the piping shrouds had Leonard heard
The tones of waterfalls, and inland sounds
Of caves and trees;"
and, leaning over the vessel's side and gazing into the "broad green
wave and sparkling foam," he
"Saw mountains,--saw the forms of sheep that grazed
On verdant hills."
This was what his own heart told him; every experience or sentiment
called those beloved images to his own mind.
One afternoon, when the sun seemed likely to get the better of the soft
rain-clouds, I set out to climb to the top of Helvellyn. I followed the
highway a mile or more beyond the Swan Inn, and then I committed myself
to a footpath that turns up the mountain-side to the right, and crosses
into Grisedale and so to Ulleswater. Two schoolgirls whom I overtook put
me on the right track. The voice of a foaming mountain torrent was in my
ears a long distance, and now and then the path crossed it. Fairfield
Mountain was on my right hand, Helm Crag and Dunmail Raise on my left.
Grasmere plain soon lay far below. The haymakers, encouraged by a gleam
of sunshine, were hastily raking together the rain-blackened hay. From
my outlook they appeared to be slowly and laboriously rolling up a great
sheet of dark brown paper, uncovering beneath it one of the most fresh
and vivid green. The mown grass is so long in curing in this country
(frequently two weeks) that the new blades spring beneath it, and a
second crop is well under way before the old is "carried." The long
mountain slopes up which I was making my way were as verdant as the
plain below me. Large coarse ferns or bracken, with an under-lining of
fine grass, covered the ground on the lower portions. On the higher,
grass alone prevailed. On the top of the divide, looking down into the
valley of Ulleswater, I came upon one of those black tarns, or mountain
lakelets, which are such a feature in this strange scenery. The word
Public-domain text, read in full here on John Shaqi.
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